Kev Rowland
It seems like Jag Panzer have been around forever, but given that John Tetley (bass), Mark Briody (guitars, keyboards) and Harry Conklin (vocals) formed the band more than 40 years ago, I guess they have. Drummer Rikard Stjernquist joined in 1987, and it is only new lead guitarist Ken Rodarte who has not been there for any length of time. This is their first album in six years and follows the conceptual storyline of the band's comic book of the same title which came out in late 2022. This means it is probably best to have a physical copy of the album to be able to understand the storyline a little more, as I am sure it will be in the booklet or inner sleeve. Briody has even created a lyric video to go with the track “The Dark Descent” and he says it, “can be interpreted as literal or metaphoric. In this part of the storyline, the group are descending down a cliff amongst the old city ruins. The group are also descending towards the final outcome of the story. Although at first glance it seems like a basic heavy metal song, those who breakdown the music will see that it is one of the most musically complex songs on the album.”
Jag Panzer have always concentrated on American style power metal, and this is no different, although there are times when they come across as quite similar to Sabaton, yet with more theatricality and not quite so much drive. Conklin still has a superb voice which has more baritone elements than many, while he also subscribes to the Dickenson style of providing loads of power. This album is being viewed by many critics as nothing short of absolutely essential, and there is no doubt there are some good performances here from a band who are totally tight and locked in. However, the songs are not always as dramatic and interesting as they might be, and the result is something which is undoubtedly something of a standout within the American power metal scene, but there are often times when it feels like the soul is missing. When they get it right, with the band blasting beneath Conklin as he reaches for the heights then it is very special indeed, and Rodarte is a superb shredder, yet there are too many instances when I found my attention wandering as they repeated a bridge, or the verses just were not dynamic enough.
It has been six years since ‘The Deviant Chord’, which in itself was six years from ‘The Scourge of Light’, neither of which are judged to be classics, and for me the jury is very much out on this one. There is little here to make me wish to return, but fans of the band may well disagree. Best to try it out for yourself.