KAMELOT — Dominion

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KAMELOT - Dominion cover
3.09 | 20 ratings | 3 reviews
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Album · 1997

Filed under Power Metal
By KAMELOT

Tracklist

1. Ascension (1:25)
2. Heaven (3:39)
3. Rise Again (4:06)
4. One Day I'll Win (5:39)
5. We Are Not Separate (3:45)
6. Birth of a Hero (5:17)
7. Creation (5:06)
8. Sin (3:35)
9. Song of Roland (4:54)
10. Crossing Two Rivers (4:29)
11. Troubled Mind (4:39)

Total Time: 46:38

Line-up/Musicians

- Mark Vanderbilt / vocals
- Thomas Youngblood / guitar
- Glenn Barry / bass guitar
- David Pavlicko / keyboards
- Richard Warner / drums

About this release

Release date: April 15, 1997
Label: Sanctuary Records Group

Thanks to adg211288, Unitron, diamondblack for the updates

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KAMELOT DOMINION reviews

Specialists/collaborators reviews

UMUR
"Dominion" is the second full-length studio album by US power metal act Kamelot. The album was released through Noise Records in April 1997. It´s the successor to "Eternity" from 1995 and features the exact same quintet lineup who recorded the predecessor. It would however be the last album to feature lead vocalist Mark Vanderbilt and drummer/founding member Richard Warner.

Stylistically the material on "Dominion" is very similar to the power metal sound of "Eternity (1995)", which actually isn´t that odd as some of the material was written in the early 90s along with the material featured on the predecessor. The Queensrÿche influence is still pretty strong (especially in some of the vocal parts), and at this point Kamelot weren´t the most unique sounding act on the scene. The album also features influences from European power metal and from traditional heavy metal. There are for example a couple of galloping rhythm sections, which remind me of Iron Maiden. Again not the most unique stylistic element. They are however skilled performers and the songwriting is also of a relatively high quality. I write relatively, because overall the quality and memorability of the songwriting are slightly lower here than on "Eternity (1995)", which is a bit unfortunate considering that "Dominion" is a sophomore release, where an artist typically aims at defending won territory and also claim new land.

I´m not sure new land was conquered with "Dominion", and as the sound production is also slightly less powerful and well sounding than the sound production on "Eternity (1995)", it´s hard not to see "Dominion" as a step down in quality compared to the preceding album. The songwriting is consistent enough, but there aren´t many highlights to mention from "Dominion". Hard-pressed I´d probably mention "Birth of a Hero" as one of the standout tracks. A 3 star (60%) rating is warranted.
martindavey87
The band’s debut 'Eternity', despite being nothing more than standard 90's power metal, had some pretty cool moments in there. Unfortunately their follow-up album, 'Dominion', is more-or-less the same thing, only with all-round weaker and less memorable songs.

However, with that said, there are two highlights for me, which is 'Song of Roland' and 'We Are Not Separate'. At this point both of these songs are stronger than anything else Kamelot recorded on this album or its predecessor. Sadly they're just not enough to save the whole album from being anything more than "good".

An all-round good power metal album, not really for anyone other than Kamelot diehards though. The best is yet to come.
Unitron
Kamelot-Dominion

'Dominion' is the second studio album by symphonic/power metal band Kamelot. Unlike most people, I think that this is a much stronger album then their debut. While their debut had it's shining moments, it felt a little too much like Queensryche at times. Not that that's a bad thing, I love Queensryche, but the best songs were the more unique tracks. For me, 'Dominion' shows a natural progression from debut to sophomore effort, having an overall stronger and more unique sound.

The album starts out with a symphonic prelude 'Ascension', which I find to be a great opener for the album and a great transition into the next track 'Heaven'. 'Heaven' immediately begins with double bass and a really fast bass-line. I love the solo and how the crunching guitar plays under the solo. The next song 'Rise Again' begins with an industrial feel having pulsating drums/electronics with the occasional guitar slash. The song does of course go into power metal, but surprisingly keeps the industrial sounds. Vanderbilt's vocals also fit really well with both the power and industrial styles. Definitely one of my favorites. Another one of my favorites comes right after, the powerful 'One Day I'll Win'. After the symphonic intro passes, the melodic guitar comes in with Vanderbilt's powerful vocals. While the song does remain the same most throughout, I never tire of the powerful stomp of the entire song.

The instrumental, "Creation", is one of the best on the album. It is simply beautiful, especially with the classical guitar work. Another favorite is the song after, 'Sin'. Beginning softly, the crunching guitar soon comes in. This song has many transitions from soft to heavy, and after the 2nd transition the song changes with some groove metal guitar.

This is the final album to feature original vocalist Mark Vanderbilt, and would be replaced with the great Roy Khan. While I do think Roy Khan is the better vocalist, and his vocals would contribute greatly to masterpieces such as 'Epica' and 'The Black Halo', Mark Vanderbilt does give a great performance on this album. Vanderbilt's vocals seem more raw then Khan's, and musically this album a bit rawer and much less polished. He still does sound like Geoff Tate at times here, but I think the rawness this time around gives his vocals his own sound.

Overall, a big step up from the debut, and I highly recommend this album to any fans of symphonic/power metal.

Hope you found this review helpful.

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