KATAKLYSM — Waiting for the End to Come

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KATAKLYSM - Waiting for the End to Come cover
3.94 | 5 ratings | 3 reviews
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Album · 2013

Filed under Death Metal
By KATAKLYSM

Tracklist


1. Fire (5:27)
2. If I Was God - I'd Burn It All (4:38)
3. Like Animals (3:27)
4. Kill the Elite (4:17)
5. Under Lawless Skies (3:29)
6. Dead & Buried (3:12)
7. The Darkest Days of Slumber (3:52)
8. Real Blood - Real Scars (4:32)
9. The Promise (4:28)
10. Empire of Dirt (3:46)
11. Elevate (3:56)

Total Time 45:04

Line-up/Musicians


- Maurizio Iacono / Vocals
- Jean-François Dagenais / Guitars
- Stéphane Barbe / Bass

Guest/Session:
- Olivier Beaudoin / Drums

About this release

Nuclear Blast Records, October 25th, 2013

The deluxe digipack CD and vinyl LP versions feature different artwork.
12. The American Way (Sacred Reich cover) digipack bonus track.

Thanks to UMUR for the addition

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KATAKLYSM WAITING FOR THE END TO COME reviews

Specialists/collaborators reviews

voila_la_scorie
A friend of mine is fond of a music application with which you select an artist and a song by that artist gets played, and then after that other songs by musically related artists will play. By example, he entered Amon Amarth and then began skipping through song after song, just to show me which bands the application was pulling up. One band that caught my attention was Kataklysm. A week later, I recalled seeing something in a Japanese metal magazine about extreme metal bands from Montreal and I decided to do a search for such bands. Of course, Kataklysm was one of the top bands to crop up in the search, and I recognized the name from my friend’s app. Two weeks later and without preview (or pre-listen), “Waiting for the End to Come” was in my hands.

The album arrived along with several others as part of my delving into the death metal sub-genre, which I had previously experienced only through Opeth and Gorguts. As I listened to all my new acquisitions and then repeated the exercise, I found “Waiting for the End to Come” was catching my ears. “Like Animals” and “The Promise” had some excellent heavy riffs, “Under Lawless Skies” and “The Darkest Days of Slumber” sounded surprisingly melodic in spite of the roaring, guttural vocals, and several other songs had aspects that drew my attention. Within a week I ordered a second Kataklysm album!

Two other albums I brought home in the first batch were Amon Amarth’s “Twilight of the Thunder God” and Bolt Thrower’s “Those Once Loyal”. In comparison, I felt Kataklysm’s album was the most engaging. Admittedly, there is a kind of generic feeling to the songs of the album when considered together; there is little variety if any in the style of the music. Songs tend to be brutal and angry (“If I Was God… I’d Burn It All”, “Kill the Elite”, “Empire of Dirt”) and often include melodic parts. There are two vocal styles present: the aforementioned death growl and one of those throat-shredding screams. Kataklysm originally made themselves known for their “Northern hyper-blast” drumming style, but I think somewhere along the way when they went from death metal to melodic death metal, that drumming style became reserved as a technique for certain parts in certain songs. (Indeed, I hear more blast beats on my second purchase, the slightly older “Prevail”).

I actually read a few reviews of this album on another metal site and the remarks were interesting. Many people said that in recent years, Kataklysm’s albums had become repetitive. Their once fresh melodic death metal sound was not coming up with anything new. However, a least a couple of reviews stated that this album, while not bringing anything new to the table, was at least a revived and reinvented take on the band’s style, and all reviews gave this album favourable ratings. So this strikes me as a good entry album into the band. Out of curiosity, I listened a little to a couple of their older songs and the style is quite different, being closer to fellow Montrealers, Cryptopsy.

I don’t think it will be imperative to get a bunch of recent Kataklysm albums but this album has encouraged me to check out more of the band’s catalogue. A melodic death metal album worth checking out.
UMUR
"Waiting for the End to Come" is the 11th full-length studio album by Canadian death metal act Kataklysm. The album was released through Nuclear Blast Records in October 2013. Kataklysm worked with session drummer Olivier Beaudoin (who has later been added permanently to the lineup) as Max Duhamel is again out of the band. The rest of the lineup consists of Maurizio Iacono (Vocals), Jean-François Dagenais (Guitars) and Stéphane Barbe (Bass). It´s been 3 years since the release of "Heaven's Venom (2010)", but the members of Kataklysm have kept busy with (among other things) their side-project Ex Deo. Having been active since the early nineties, consistently releasing albums, Kataklysm are widely considered as one of the most prolific Canadian death metal acts on the scene.

Stylistically "Waiting for the End to Come" pretty much continues the techncially well played death metal style with melodic elements that the band have now played for many years (and on many releases). These guys know their craft to perfection. The songwriting is solid (and occasionally excellent), the musicianship are on a high level and the sound production is professional, clear and powerful. The tracks are all between 3 and 5 minutes long and never outstay their welcome. They are to the point and and don´t feature too many excursions into unknown territories. The high pitched sneering vocals on "under Lawless Skies" stick out a bit, but that´s about it. The occasional use of mid-paced groove based riffing (which remind me of artists like Chimaira or Fear Factory) provide the music with a contemporary sounding element. That´s just a stylistic element though and we´re still treated to blast beats and other fast-paced drumming styles, growling vocals, and a satisfactory level of brutality as usual, so don´t despair if the word "groove" made you shiver with fear.

"Waiting for the End to Come" is not an album that sticks out in Kataklysm´s by now huge discography, but it´s a damn solid death metal release, featuring stylistic variation and sophisticated songwriting, a professional and well sounding production and high level musicianship. A 4 star (80%) rating is deserved.
Kev Rowland
From their debut album back in 1995, right through until today, these Canucks have managed to create quite a name for themselves, although many feel that the last 10 years or so aren’t all that they might have been. They are famed for describing their music as ‘Northern Hyperblast’, and in their early year were seen as a fairly chaotic outfit who pursued sheer speed over everything else. These days they still have plenty of speed, but have morphed into something that is melodic yet brutal, powerful and essential, and somehow bringing a feel of Swedish metal into it as well. The more I have played this album the more I have enjoyed it as this hits again and again. The blastbeats are still there, and given how important the drumming is to this album I was surprised to see that ex-Neuraxis drummer Oli Beaudoin has been brought in just as a guest as he is key to the overall sound.

This is melodic death metal as it should be played, with a band firing on all cylinders and creating an incredible metallic monster that takes no prisoners. The fact that this album hit the charts in multiple countries on its’ release shows that I’m not the only metalhead that thinks so.

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