UMUR "Viva Emptiness" is the 6th full-length studio album by Swedish alternative/doom/progressive rock/metal act Katatonia. The album was released through Peaceville Records in April 2003. It´s the successor to "Last Fair Deal Gone Down" from 2001 and features the same five-piece lineup who recorded the predecessor. It was the first time in Katatonia´s history (up until then) that they had the same lineup on two consecutive album releases. 15 tracks were written and recorded during the sessions, and 13 tracks made the album. "Wait Outside" did not appear on the original version of the album, but appears on later reissues, and was first made available on the 2005 "The Black Sessions" compilation album. "Consternation", which ended up being re-recorded and released on "The Great Cold Distance (2006)", didn´t make the cut for "Viva Emptiness" either.

The 13 tracks which did make the cut for the album, are a very interesting and quite different listen from the material on "Last Fair Deal Gone Down (2001)". While the band did come into their own on the predecessor they weren´t completely done developing their sound, and while "Viva Emptiness" overall continues the alternative rock/metal style with a melancholic atmosphere of "Last Fair Deal Gone Down (2001)", it´s generally a darker, heavier, and more gritty release. Keyboards have a more central place in the soundscape along with heavy guitars, powerful drumming, and Jonas Renkse´s soft voice and melancholic lyrics and delivery. The music is very dynamic though and the band still perfectly master the contrasts of light/dark and heavy/mellow.

"Viva Emptiness" opens with the strong trio of tracks "Ghost of the Sun", "Sleeper", and "Criminals" and the high quality generally continues on the remaining tracks of the album (a few tracks are slightly sup par to the best material on the album, but it´s a minor issue). Other highlights include "Burn the Remembrance", "Evidence", and the beautiful melancholic "Omerta". The instrumental "Inside the City of Glass" closes the album on a highly atmospheric note, and it appears a bit strange to me, that the band would chose to add vocals/lyrics to that particular track (which is perfect as it is) on the 10th anniversary version of the album. Truth be told I haven´t heard the version with vocals yet though, so it may be great, and I´m just complaining because I´m a grumpy old man...

"Viva Emptiness" features a dark, gritty, and relatively raw sounding production, although everything is audible in the mix. It´s just compared to the last couple of releases, the volume has definitely been dialed to 11 and sometimes the loud distorted parts are pretty noisy. Personally I enjoy the heaviness of the sound and the attitude Katatonia display on "Viva Emptiness", but it´s a bit less subtle than what is generally heard on the direct predecessor. "Viva Emptiness" marks the end of what I consider the mark II era of Katatonia, as they would change their sound again on "The Great Cold Distance (2006)". In that respect "Viva Emptiness" is a playful transition release, which shows Katatonia toying with time signatures, new timbres and dynamics, keyboards/synths/programming, and overall adventurous songwriting. This is anything but formulaic and it´s one of the more demanding, intriguing, and eclectic releases in the band´s discography. To my ears it´s their magnum opus. A 5 star (100%) rating is deserved.

bonnek Katatonia worked heavily on a new sound for this album. Songwriting and style doesn't differ all that much from the doomy indie rock of "Last Fair Deal Gone Down" but they made it sound much heavier, with a wall of sound consisting of more upfront low-tuned rhythm guitars. It makes the album sound a lot more metal then "Last Fair Deal". Add the very consistent songwriting and you have an album that should please the doomy and goth metal crowds.

Katatonia tends to follow a quite rigid songwriting template, and almost every song here has the same quiet-loud dynamics with anthemic choruses. Together with the very thick and dense sound it makes the album drag a bit halfway in, certainly on the less memorable tracks such as "Walking By A Wire" or "Complicity". But even at those weaker moments, you can count on the band to come up with some interesting effects, sounds and arrangements. This album probably has the most creative and original guitar work of all Katatonia albums. Hats of to Blakkheim! Also, apart from those two tracks, all songwriting is quite perfect and brought with an energetic performance.

It goes without saying that you need to like dark and downcast music in order to like Katatonia, but if you do, then this should be a real winner. Recommended for all fans of heavy indie rock, depressed metal, gothic rock, doomy Prog, and all enthusiasts of gloomy songs that excel in originality and catchiness.