MELVINS — Bullhead

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MELVINS - Bullhead cover
3.33 | 17 ratings | 2 reviews
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Album · 1991

Filed under Sludge Metal
By MELVINS

Tracklist


1. Boris (08:34)
2. Anaconda (02:23)
3. Ligature (03:49)
4. It's Shoved (02:35)
5. Zodiac (04:14)
6. If I Had an Exorcism (03:07)
7. Your Blessened (05:39)
8. Cow (04:31)

Total Time 34:53

Line-up/Musicians


- Buzz Osborne / lead guitar, vocals
- Lori Black / bass
- Dale Crover / drums

About this release

CD and 12" vinyl LP released 3rd May 1991 on Boner Records.
Reissued on April 30th, 1993.

Thanks to Paperbag, Bosh66, UMUR, Unitron for the updates

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MELVINS BULLHEAD reviews

Specialists/collaborators reviews

SilentScream213
Bullhead is usually considered Melvin’s first truly great album. The Sludge Metal pioneers are relatively peerless in this era, as you could count the number of notable Sludge bands on one hand when this dropped. These circumstances made Melvins kings of the movement by default, and I think that’s why it doesn’t really appeal to me.

Bullhead is an album that is special by circumstance, because it had no competition and no comparison. It was influential and unique, but those things don’t matter to me when I’m listening to it. The music itself is very basic, monotonous, and droning. These qualities can be fine when done right (or if that is your taste) but I feel this album just doesn’t have enough going on to warrant much entertainment out of that. There aren’t any great riffs, no striking vocal performances, no rhythm grooves, its just a lot of repetitive heavy chords. It’s slow, but it’s certainly not doomy, because there’s no atmosphere and no strong mood aside from kind of anxious.

Unfortunately I have yet to find much enjoyment out of early Sludge, and this album was not the one to change my mind. Onward we go.
Warthur
Opening with Boris, a monster slab of doomy sludge as heavy as - well, as heavy as much of the output of the Japanese Boris, in fact! - the Melvins' Bullhead provides a tasty half hour or so of sludge metal with mild grunge influences which shows off their knack for sudden musical reversals. Take, for instance, the brilliant If I Had an Exorcism, which begins with nonsensical lyrics and avant-garde playing and then, in a particularly Mr Bungle move, mutates partway through its running time into some really tight riffing. I don't think it quite includes any iconic songs in the same way Houdini does, but it's still a fine example of the band's early work.

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  • GWLHM76
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  • Train_Food
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