MUNICIPAL WASTE — Slime and Punishment

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MUNICIPAL WASTE - Slime and Punishment cover
3.31 | 4 ratings | 1 review
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Album · 2017

Tracklist


1. Breathe Grease (1:49)
2. Enjoy the Night (0:49)
3. Dingy Situations (1:39)
4. Shrednecks (2:16)
5. Poison the Preacher (2:01)
6. Bourbon Discipline (2:31)
7. Parole Violators (2:30)
8. Slime and Punishment (2:22)
9. Amateur Sketch (1:45)
10. Excessive Celebration (1:29)
11. Low Tolerance (2:21)
12. Under the Waste Command (1:51)
13. Death Proof (2:52)
14. Think Fast (2:30)

Total time 28:45

Line-up/Musicians


- Ryan Waste / Guitars, Vocals (backing)
- Tony Foresta / Vocals
- Land Phil / Bass, Vocals (backing)
- Dave Witte / Drums
- Nick Poulos / Guitars

About this release

Nuclear Blast, June 23, 2017.

Engineering: Land Phil
Mixing/Mastering: Bill Metoyer
Artwork: Andrei Bouzikov

Released on vinyl in Bottle Green and Green with Yellow Splatter and as a green limited edition Cassette (Limited to 300 copies.)

Recorded at Blaze of Torment Studios in Richmond, Virginia.

Mixed and mastered in Hollywood, California.

Thanks to Unitron for the addition

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MUNICIPAL WASTE SLIME AND PUNISHMENT reviews

Specialists/collaborators reviews

Kev Rowland


I’m not sure just how long I’ve been a fan of these guys, but it’s been a while. In some ways, they remind me of Tankard, in that people only see the humour and fun they have, and forget that behind it all there is a damn good band who know exactly what they are about and what they want to achieve. It has been quite a while since their last album, but they’ve still been on the road and have also added an additional guitarist to their ranks to provide them with an even harder and punchy sound. They are still playing thrash/speed metal with a large nod to hardcore, and I have no problem with that at all. To me they always sound as if they have straight out of NYC, even though they’re from Richmond, Virginia, as they have the same sort of feel as many of the bands from that city.

The recording process was different this time around, in that bassist Phil Hall engineered it so the band could record the album themselves before sending it off to Bill Metoyer (known for his work with Slayer, W.A.S.P., Lizzy Borden and Dark Angel) to be mixed. They certainly sound tight, and the result is an album that may not be driving any new boundaries, or even be fashionable any more, but when it comes to recreating the scene of the late Eighties the n few do it much better than this. Turn it up.

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  • Peacock Feather
  • Psydye
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