UMUR
"Gallows Gallery" is the 6th full-length studio album by Japanese progressive/experimental metal act Sigh. The album was released through Candlelight Records/Baphomet Records in October 2005. It´s the successor to "Imaginary Sonicscape" from 2001 and there´s been one lineup change since the predecessor as drummer Satoshi Fujinami plays bass and guitars on this album, and new drummer Junichi Harashima has been added to the lineup. The remaining part of the lineup are Mirai Kawashima (vocals, keyboards, organs, sampling...etc.) and Shinichi Ishikawa (guitars).
But it´s not so much the lineup changes which make the headlines here, as "Gallows Gallery" is yet another left-turn stylistic change from Sigh. If you´re familiar with the preceding releases in the band´s discography you´ll know that Sigh have pretty much changed musical style between each of their releases. To begin with little changes between releases and gradually much bigger changes between albums...culminating in the release of the avant garde, psychadelic, atmospheric heavy metal album "Imaginary Sonicscape (2001)", which is as weird as it is exciting. If you thought Sigh would continue down that road on "Gallows Gallery", I can tell you, that you have another thing coming...
...because suddenly it seems like Sigh have decided to release a power/heavy metal album. Gone are the harsh blackened vocals from their past releases, and instead the vocals are clean, and there are harmonies and choirs. The vocals aren´t angelic clean or high pitched though, but more akin to for example the vocals on a Running Wild album. So they are still relatively raw and not necessarily what many would label pretty. The strong Japanese accent also add something different to the vocals, and personally I find the accented vocals quite charming, but I can understand those who wouldn´t be able to appreciate them.
While the primary music style on "Gallows Gallery" is power/heavy metal, this is a Sigh album, and not surprisingly the band twist conventions and explore boundaries of the power/heavy metal genre, so while there are many recognisable power/heavy metal elements featured here, you have probably never heard an album in the genre which even remotely sounds like this. Drums, bass, guitar, and vocals, are complimented by the use of various keyboards, synths, and organs (and some other instruments like Gong, Sitar, and Tibetan Bells), and a generally very adventurous approach to songwriting. The material are well written, catchy, and energetic, but some tracks sound a bit the same (the melody lines are similar as are the riff style and rhythms), but the band do incorporate some surprises to keep the album varied (an example is the slow, atmospheric, and psychadelic tinged "The Tranquilizer Song").
"Gallows Gallery" features high level musicianship and a decent quality sound production (a bit thin sounding, but still decent), and upon conclusion it´s another high quality release by Sigh, who must be praised both for their boldness and for their complete disregard for genre conventions and expectations from their fans. The fans are of course by now used to expecting the unexpected, but you still have to be a very open-minded music listener to be able to appreciate such major musical changes between releases. Those who have stuck by the band through their many transitions, will probably stick by them on this release too and be rewarded for their loyalty, because "Gallows Gallery" is a grower and while it is very different from anything Sigh have released before, this is still unmistakably the sound of Sigh. A 3.5 - 4 star (75%) rating is deserved.