SLOUGH FEG — The Lord Weird Slough Feg

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SLOUGH FEG - The Lord Weird Slough Feg cover
3.45 | 7 ratings | 1 review
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Album · 1996

Filed under Heavy Metal
By SLOUGH FEG

Tracklist


1. Shadows of the Unborn (03:57)
2. 20th Century Wretch (04:20)
3. Blarney Stone (02:15)
4. The Red Branch 03:44
5. Why Not 03:42
6. High Season III 02:10
7. High Season IV 03:27
8. Highway Corsair 01:58

Total Time: 25:28

Line-up/Musicians


- Mike Scalzi / guitars, vocals.
- Justin Phelps / bass.
- Greg Haa / drums.

About this release

Beef Rock Records, May 1996

Released by Beef Rock Records as CD (without cat. #). "Highway Corsair" is incorrectly listed as track 8 on the inlay, and its lyrics do not appear in the booklet. (On photo: up)

Re-released by The Miskatonic Foundation, June 2002 as CD (cat. # HPL 007) with new artwork (on photo: down), corrected tracklist and bonus tracks from demos (Chris Haa on second guitar, total time is 53:26):

9. Intro (Instrumental)
10. The Mask
11. High Season I
12. High Season II
13. The Red Branch
14. The Room
15. Headhunter

Also released by Metal Supremacy (cat. # MS 010) in 2002 as a limited to 500 copies double gatefold 12" vinyl through Miskatonic's permission.

Reissued on gatefold LP with new artwork by Cruz del Sur Music on March 30, 2012.

Produced at Dancing Dog Studios, Emeryville, CA.

Thanks to tupan for the addition and siLLy puPPy, UMUR for the updates

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Specialists/collaborators reviews

siLLy puPPy
Although they would shorten their name to the much shorter SLOUGH FEG, this band that formed in State College, Pennsylvania in 1990 and then move to San Francisco shortly thereafter, started out with the much more magnanimous moniker THE LORD WEIRD SLOUGH FEG which was used on their first four albums. This 1996 debut is technically their first album but contains only a mere EP’s running time. Although it hosts eight tracks, it still only clocks in just under the 24 minute mark. Re-releases would would nearly double the length with seven early demos as bonus tracks.

Despite the LORD WEIRD aspect of the band name at this point, these guys weren’t extremely different or weird in any way actually. This band began as a trio of Mike Scalzi (guitars, vocals), Justin Phelps (first bassist who would leave soon after this debut) and Greg Haa (Drums) and copped a classic epic 80s metal sound in the vein of bands like Manilla Road, Brocas Helm, Iron Maiden and Skyclad with a touch of Thin Lizzy. The band’s strange name came from a Celtic folklore-influenced comic book called “Sláine.”

At this point SLOUGH FEG hadn’t quite mastered the sizzling guitar fueled sound that would make them popular with albums like “Down Among The Deadmen” and “Traveller” but they had already moved beyond their respective influences to have a classic epic sound all their own. The music is hard driving with heavy hitting riffs and the classic Iron Maiden gallop as heard on tracks like “Quest For Fire.” Every track is high octane and packs a punk-like punch as the tracks are all short and to the point. The compositions are fairly traditional 80s metal style but the performances are top notch. The production as expected is fairly primitive but passable.

I remember seeing SLOUGH FEG way back in their early years when they opened for Brocas Helm. They were good but not OMG good but when i saw them a few years later for a second time, they had improved like 500% in just about every way possible. At this point the complexity and intensity of the future albums is absent despite a decent energetic delivery of classic epic metal. Mike Scalzi seemed to get a major jolt of creativity flowing when he joined his other band Hammers Of Misfortune in 2000. That is the era when SLOUGH FEG really got interesting and Hammers Of Misfortune began to release some stellar progressive metal albums.

Despite this not being a top dog of SLOUGH FEG albums, this is still a nice slice of 90s metal looking to the past for its inspiration. I have a soft spot for early, lo-fi and raw energy type of metal albums and this one certainly falls into that camp. The band display their high energy performances and Scalzi had already found a way to utilize his theatrical vocal style to narrate epic fantastical tales. This debut has been somewhat ignored and commands a hefty price if you seek a physical copy but the early years of SLOUGH FEG are as raw, bombast and from the heart as you can hope for.

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