SOILWORK — Övergivenheten

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SOILWORK - Övergivenheten cover
4.33 | 10 ratings | 2 reviews
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Album · 2022

Tracklist


1. Övergivenheten (5:45)
2. Nous sommes la guerre (6:53)
3. Electric Again (4:22)
4. Valleys of Gloam (4:11)
5. Is It in Your Darkness (4:04)
6. Vultures (5:47)
7. Morgongåva / Stormfågel (1:33) (instrumental)
8. Death, I Hear You Calling (4:41)
9. This Godless Universe (4:41)
10. Dreams of Nowhere (4:29)
11. The Everlasting Flame (1:06) (instrumental)
12. Golgata (4:59)
13. Harvest Spine (5:10)
14. On the Wings of a Goddess Through Flaming Sheets of Rain (7:31)

Total Time 65:12

Line-up/Musicians


- Björn "Speed" Strid / Vocals
- Sven Karlsson / Keyboards
- Sylvain Coudret / Guitars
- David Andersson / Guitars
- Bastian Thusgaard / Drums
- Rasmus Ehrnborn / Bass

Guest/Session:
- Johan Randén / Guitars (acoustic) (track 1), Banjo (track 1)
- Laila Prigorowsky / Vocals (choirs)
- Helene Alexandersson / Vocals (choirs)
- Catrine Ellwen / Vocals (choirs)
- Gonca Yazan / Vocals (choirs)
- Jenny Ericsson / Vocals (female)
- Cia von Heijne / Vocals (choirs)

About this release

Label: Nuclear Blast
Release date: August 19th, 2022

"Övergivenheten" means "Abandonment" in Swedish.

Official music video:
- Övergivenheten
- Dreams of Nowhere
- Nous sommes la guerre
- Valleys of Gloam

Recording information:

Recorded at Nordic Sound Lab in Skara, Sweden.

Thanks to UMUR for the addition

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SOILWORK ÖVERGIVENHETEN reviews

Specialists/collaborators reviews

UMUR
"Övergivenheten" is the twelfth full-length studio album by Swedish melodic death metal act Soilwork. The album was released through Nuclear Blast in August 2022. It´s the successor to "Verkligheten" from 2019 although the two full-length studio albums are bridged by the 2020 "A Whisp of the Atlantic" EP. There´s been one lineup change since "Verkligheten" (2019) as bassist Taylor Nordberg has been replaced by Rasmus Ehrnborn (guitarist David Andersson recorded the bass on "A Whisp of the Atlantic" (2020).

If anyone had hopes that the progressive songwriting of "A Whisp of the Atlantic" (2020) would be continued on "Övergivenheten", they will be left disappointed (although closing track "On the Wings of a Goddess Through Flaming Sheets of Rain" does feature a slightly more adventurous songwriting approach than the remaining tracks on the album). Instead Soilwork have opted for the most melodic, accessible, and at times even mainstream oritented songwriting of their career. Of course there are still elements of death metal here and there, and lead vocalist Björn "Speed" Strid can still scream out his lungs and occassionally deliver a death metal growl, but he sings a lot of clean vocals here, and arguably a few more than usual. It´s not so much the vocal part of the music which has changed though, but more the overall songwriting approach. Sometimes to a point where it sounds like Soilwork are in the process of preparing to enter the Eurovision contest. That´s how catchy, melodic, and polished some of these tracks are. It´s sometimes to a point where it´s sounds like it´s leftover material written for Strid and Andersson´s AOR rock band The Night Flight Orchestra, put through the melodic death metal grinder.

Any Soilwork album deserves to be listened to and only judged after several listens, because they are usually deceivingly accessible and polished, but underneath that polish there are layers of sophisticated harmonies, melodies, choir arrangements, and just a generally high level songwriting approach. "Övergivenheten" is no different from it´s direct predecessors in that respect. Soilwork have maybe gone a little too much overboard with the glitter and polish on this one, considering that two of them already have The Night Flight Orchestra to explore more accessible and melodic musical territories, and I do miss a little more raw power and aggression, but on the other hand it´s impossible not to be floored by how catchy these songs are.

"Övergivenheten" features a well sounding production job, although my ears don´t always agree with the drum production. It´s a purely subjective observation though, and nothing which affects my rating too much. The musicianship is on a high level on all posts and if you think you can enjoy and album´s worth of the most accessible and mainstream oriented version of Soilwork, "Övergivenheten" will give you just that in a high quality fashion. A 3.5 - 4 star (75%) rating is deserved.
Kev Rowland
I have long been a fan of Soilwork, and was very much looking forward to this album, but the untimely death of guitarist David Andersson (who was also in The Night Flight Orchestra) less than a month after its release has obviously cast a shadow. Mental illness is a terrible thing – if you are a sufferer (as am I) – then find the help you need and remember, the world is a better place with you in it. Björn “Speed” Strid must have problems working out what band he is in at times, and where certain material should go, as there are some songs contained on this which might well have fitted on the last NFO album, while there are others which are solid Soilwork.

Over the last 20 years they have moved a long way from the melodic death they started with, and are now in a much more commercial area, but the move has been organic and there are still elements of their old styles combined within which makes this an incredibly enjoyable album for both old fans and new. The album title can be translated to ‘The Abandonment’ which describes the overall album theme of being surrounded by the thought of being abandoned or even abandoning others. It deals with darker thoughts that have shaped the band itself and affected their development process, and I am sure the actions of David have since caused a great deal of soul searching and sorrow for everyone involved. However, in many ways this is a culmination of two years of Covid restrictions and all that meant, combined with the continued artistic development of both this band and NFO, with the result being yet again a stunning piece of work.

I was late to this band, but their last three albums are all excellent additions to any metal collection, and this their latest commercial offering combined with melodic death stylings is the same again. They understand the need for contrast and drop in a simple piano piece here, or acoustic guitar, all of which means that when they bring the storm it rains even heavier. Yet another essential release.

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