SUN CAGED — The Lotus Effect

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SUN CAGED - The Lotus Effect cover
3.52 | 10 ratings | 4 reviews
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Album · 2011

Tracklist

1. Seamripper & the Blanket Statement (8:13)
2. Tip-Toe the Fault-Line (6:57)
3. Ashes to Earn (5:18)
4. Shades of Hades (5:43)
5. Reductio ad Absurdum (6:18)
6. On Again / Off Again (7:25)
7. Lotus (6:17)
8. Ashtamangala the 8 Auspicious Symbols
a/ Pareidolized (the Ocean in the Shell) (10:00)
b/ Parasol (1:43)
c/ Wave the Banner (1:41)
d/ Fish Afraid of Drowning (2:14)
e/ Moebius Knot (2:26)
f/ Full Circle (1:55)
g/ Let It Wash Away (the Lotus Effect) (5:49)

Total time 71:59

Line-up/Musicians

- Paul Adrian Villarreal / vocals
- Marcel Coenen / guitars
- Rene Kroon / keyboards
- Daniel Kohn / bass
- Roel van Helden / drums

About this release

Released June 17th, 2011, on Lion music.

Thanks to Time Signature for the addition

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SUN CAGED THE LOTUS EFFECT reviews

Specialists/collaborators reviews

UMUR
"The Lotus Effect" is the third full-length studio album by Dutch progressive metal act Sun Caged. The album was released through Lion Music in June 2011. It´s the successor to "Artemisia" from March 2007. There´s been one lineup change since the predecessor as bassist Roel Vink left during the recording of the album and has been replaced by Daniel Kohn. Vink actually recorded almost all bass on the album before he left, and Kohn only performs on "Parasol".

Stylistically Sun Caged continues the "classic" progressive metal style they also played on the two preceding album releases (and in their pre-Sun Caged act Lemur Voice). This is not a band shaking on their hands in terms of songwriting and the direction of their music. While the fast-paced almost death metal like drumming and riffing which occur a couple of times during the opening track "Seamripper & the Blanket Statement", may confuse a few listener´s and have them believe that Sun Caged have turned brutal, nothing could be further from the truth. This is as mentioned still "classic" progressive metal with Dream Theater and Enchant standing out as the greatest influences on Sun Caged music. Sun Caged can be nicely heavy when they set their minds to it, but there are just as many mellow, epic, and melodic sections on the album.

Compared to "Artemisia", it´s great to hear that Sun Caged are back on track with "The Lotus Effect". "Artemisia" was overall not a bad quality recording, but it did feature a sub par production job, which made it a bit hard to listen to. That is fortunately not the case with "The Lotus Effect" which features a massive, heavy, powerful, and detailed sound production, which perfectly suits the material.

The musicianship is on a high level on all posts and Sun Caged are arguably an incredibly well playing act. Lead vocalist Paul Adrian Villarreal has a strong voice and hits the high notes with ease as well as performing more "regular" register vocals with passion and conviction too. The instrumental performances are also strong. Massive and heavy guitar riffs and rhythms, time-signature changes and blistering lead guitar and keyboard runs, are just some of the ingredients of the band´s sound.

"The Lotus Effect" contains seven individual tracks and the longer epic "Ashtamangala the 8 Auspicious Symbols", which is subdivided into seven tracks. At 71:59 it´s a pretty long album, but Sun Caged have managed to write a powerful and engaging release, which means the long playing time is justified. To my ears "The Lotus Effect" is (at least up until then) Sun Caged´s strongest and most varied album, and they deserve some recognition for this release. The thought crossed my mind that the sub par quality of "Artemisia" was a sign that Sun Caged had lowered their ambitions, but thankfully my ponderings and doubts are proven wrong here. "The Lotus Effect" is through and through a high quality progressive metal album and a 3.5 - 4 star (75%) rating is deserved.
dtguitarfan
I have been following Sun Caged for a while now, and before this album always thought they were a band that had a lot of potential, but that's as far as I would have taken it. Well, I'm happy to say that when I heard this album, I was convinced that this was potential realized. This is a fantastic example of what Progressive Metal is all about - the stop/start rhythms, the instrumental sections that show off the technicality of the band, the vocal harmonies, the changing dynamics of the music. There really isn't a weak track on the album either - each track is an opportunity for the band to explore, and they do so very well. And of course, the album has something that makes a Prog Metal fan like myself drool - a nice multi-part epic suite. This album is in my top 10 for the year 2011. I hope to hear from this band again very soon!
Stephen
'The Lotus Effect' is one of the most volatile prog-metal disc I ever heard in 2011. I know several others but the point is, SUN CAGED seems to excite you with a splendid melodic kick, and then bored you instantly with some mediocre tracks, and then push you up to the sky with some nice shred and scream, and torn you to pieces with couple of worst prog-metal tracks I ever heard. That's a huge roller coaster ride but not in an incredibly fun way.

'Seamripper' is a monstrous opening set, with a death metal pattern rolling in, the early part is highly melodic and complex, yet it provides an easy access to the whole song. 'Tip-Toe The Fault Line' is where DREAM THEATER meets PORCUPINE TREE, and check out the solo, it's a madness! And to the next 6 tracks, I'm experiencing a painful journey. 'Shades of Hades' is a torture to my ears, and 'Pareidolized' is only slightly better. 'Reductio Ad Absurdum' is quite boring but kudos to the great singing here.

The only track I can accept is 'On Again/Off Again', but hope soon arise again with 'Parasol', an easy listening type of track but I love the simplicity of it. 'Wave The Banner' is a nice short track, and nothing's really memorable until 'Let It Wash Away', which is a good closer. With a running time of over 70 minutes, you must be a real hardcore fan of this band, or the genre, to really enjoy this album.

I don't think I can stand the whole album in one single spin without taking a break, it's just unbearable, but 'The Lotus Effect' isn't a horrible album at all, some good moments, some listenable tunes, I can avoid some tunes and I'm doin' fine. It's just that I don't see a good reason to grant this any score above 60%, probably even lower.
Time Signature
Full circle...

Genre: progressive metal

As is typical of progressive metal, there is plenty of genre transgression on this album which contains virtually everything from blastbeats over ballady choruses and heavy groove guitar riffage to slapping and fretless bass as well as some jazz-fusion-like and some neoclassical elements. For instance, the opener "Seamripper (& the Blanket Statement)" contains some grinding blastbeats combined with more groovy and melodic elements, and there is some awesome slapping bass in "Tip-Toe the Fault-Line" and "Shades of Hades", while "Ashes to Earn" delivers some more classic progressive metal figures and odd time signature plus prominent keyboards and a quite melodic nature. So does the darker track "Lotus" which also involves an Epic Middle Eastern atmosphere. "Ashtamangala the 8 Auspicious Symbols" is an even more epic suite in seven parts which, needless to say, offers many twists, turns and other interesting things.

The vocals are clear and have a very melodic quality as well as an almost volatile texture but very potent at the same time, which is in an interesting contrast to the very heavy sounding guitars. The level of musicianship is obviously very high, delivering impressive work on all instruments, and fans of guitar virtuoso-playing can look forward to some very nice guitar solos.

With all its variation and both modern and classic elements, this album should appeal to fans of progressive metal.

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