SUN CAGED

Progressive Metal • Netherlands
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Sun Caged was formed in the spring of 1999. Operating as a studio project at first, the band members decided to transform Sun Caged into a full-time band when guitarist Marcel Coenen's band Lemur Voice broke up in the summer of 2000.

After some demo releases between 2000 and 2002 the band signed a record deal with Finnish Lion Music for worldwide release of their debut album. Soon after, the band signed a contract with Marquee/Avalon Records for Japan.

The debut album, mixed by progressive rock mastermind Arjen Lucassen (Ayreon/Star One/Stream Of Passion), was recorded in early 2003 and released on October 22 of that year. From late 2001 on, Sun Caged started building up an impressive status within their genre by playing lots of shows, including several remarkably sizeable ones. Interest from bookers and fans of progressive metal grew considerably. This also led to several interviews in
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SUN CAGED Discography

SUN CAGED albums / top albums

SUN CAGED Sun Caged album cover 3.67 | 7 ratings
Sun Caged
Progressive Metal 2003
SUN CAGED Artemisia album cover 3.97 | 7 ratings
Artemisia
Progressive Metal 2007
SUN CAGED The Lotus Effect album cover 3.52 | 10 ratings
The Lotus Effect
Progressive Metal 2011

SUN CAGED EPs & splits

SUN CAGED live albums

SUN CAGED demos, promos, fans club and other releases (no bootlegs)

SUN CAGED Scar Winter album cover 4.00 | 1 ratings
Scar Winter
Progressive Metal 2000
SUN CAGED Dominion album cover 0.00 | 0 ratings
Dominion
Progressive Metal 2001
SUN CAGED Promo 2002 album cover 0.00 | 0 ratings
Promo 2002
Progressive Metal 2002
SUN CAGED Promo '05 album cover 0.00 | 0 ratings
Promo '05
Progressive Metal 2005

SUN CAGED re-issues & compilations

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SUN CAGED Reviews

SUN CAGED The Lotus Effect

Album · 2011 · Progressive Metal
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UMUR
"The Lotus Effect" is the third full-length studio album by Dutch progressive metal act Sun Caged. The album was released through Lion Music in June 2011. It´s the successor to "Artemisia" from March 2007. There´s been one lineup change since the predecessor as bassist Roel Vink left during the recording of the album and has been replaced by Daniel Kohn. Vink actually recorded almost all bass on the album before he left, and Kohn only performs on "Parasol".

Stylistically Sun Caged continues the "classic" progressive metal style they also played on the two preceding album releases (and in their pre-Sun Caged act Lemur Voice). This is not a band shaking on their hands in terms of songwriting and the direction of their music. While the fast-paced almost death metal like drumming and riffing which occur a couple of times during the opening track "Seamripper & the Blanket Statement", may confuse a few listener´s and have them believe that Sun Caged have turned brutal, nothing could be further from the truth. This is as mentioned still "classic" progressive metal with Dream Theater and Enchant standing out as the greatest influences on Sun Caged music. Sun Caged can be nicely heavy when they set their minds to it, but there are just as many mellow, epic, and melodic sections on the album.

Compared to "Artemisia", it´s great to hear that Sun Caged are back on track with "The Lotus Effect". "Artemisia" was overall not a bad quality recording, but it did feature a sub par production job, which made it a bit hard to listen to. That is fortunately not the case with "The Lotus Effect" which features a massive, heavy, powerful, and detailed sound production, which perfectly suits the material.

The musicianship is on a high level on all posts and Sun Caged are arguably an incredibly well playing act. Lead vocalist Paul Adrian Villarreal has a strong voice and hits the high notes with ease as well as performing more "regular" register vocals with passion and conviction too. The instrumental performances are also strong. Massive and heavy guitar riffs and rhythms, time-signature changes and blistering lead guitar and keyboard runs, are just some of the ingredients of the band´s sound.

"The Lotus Effect" contains seven individual tracks and the longer epic "Ashtamangala the 8 Auspicious Symbols", which is subdivided into seven tracks. At 71:59 it´s a pretty long album, but Sun Caged have managed to write a powerful and engaging release, which means the long playing time is justified. To my ears "The Lotus Effect" is (at least up until then) Sun Caged´s strongest and most varied album, and they deserve some recognition for this release. The thought crossed my mind that the sub par quality of "Artemisia" was a sign that Sun Caged had lowered their ambitions, but thankfully my ponderings and doubts are proven wrong here. "The Lotus Effect" is through and through a high quality progressive metal album and a 3.5 - 4 star (75%) rating is deserved.

SUN CAGED Artemisia

Album · 2007 · Progressive Metal
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UMUR
"Artemisia" is the second full-length studio album by Dutch progressive metal act Sun Caged. The album was released through Lion Music in March 2007. It´s the successor to the eponymously titled debut album from 2003. Sun Caged formed in 1999 after the demise of Dutch progressive metal act Lemur Voice, and the music style of Lemur Voice was pretty much carried over to Sun Caged.

So it´s still Dream Theater and Enchant, who are the greatest influences on Sun Caged. It´s all well composed, well performed and highly professional, but compared to the debut album there´s something off about the sound production on "Artemisia". The sound lacks warmth and bottom end heaviness, and it sometimes sounds like you´re listening to the album through a door or a closed window. It´s not a murky sounding production, but it sounds distant (if that makes sense). It´s a real shame that the production values end up having so much impact on the listening experience because as mentioned there´s nothing wrong with the music or the performances, which are high quality through and through. Sharp and heavy riffs, blistering melodic lead guitar playing, intricate rhythms, well played keyboards, and a strong lead vocalist in front, who can sing both regular and high pitched registers and sound convincing performing both.

So while "Artemisia" is a slight disappointment because of the sound production, which could arguably have been better sounding, it´s still a good quality progressive metal release in most other departments, and fans of artists like Dream Theater and Enchant (actually fans of something in between those two artists) should be able to find lots to appreciate here. A 3 star (60%) rating is warranted.

SUN CAGED Sun Caged

Album · 2003 · Progressive Metal
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UMUR
"Sun Caged" is the eponymously titled debut full-length studio album by Dutch progressive metal act Sun Caged. The album was released through Lion Music in October 2003. Sun Caged formed in 1999 after the demise of Dutch progressive metal act Lemur Voice, where a couple of the members came from, and released the "Scar Winter" demo in 1999. The independently released "Dominion" EP followed in 2001, but since Sun Caged still needed a recording contract they released the "Promo 2002" demo in 2002, which finally secured them the recording contract with the Lion Music label.

The Arjen Anthony Lucassen (Ayreon, Star One) mixed affair features a powerful and well sounding production job, which makes this debut album a real treat in terms of production values. Stylistically this is Dream Theater influenced progressive metal with a touch of Enchant. The album is loaded with heavy riffs, time-signature changes, blistering lead guitar and keyboard work, clever and sophisticated drumming and bass performances, and a powerful and skilled vocalist in front. Lead vocalist Andre Vuurboom has a voice which isn´t far from the voice of James LaBrie (Dream Theater) but also with a touch of Ted Leonard (Enchant, Thought Chamber, Spock's Beard). The latter is arguably also an influence when it comes to the melody lines.

So while Sun Caged won´t win many uniqueness competitions, they are still a highly professional and skilled act, who compose intriguing, memorable, and powerful progressive metal and fans of this type of progressive metal should definitely investigate this album further. The high level musicianship from both the instrumentalists and from Vuurboom is inpeccable and a great asset. You´ll find new interesting songwriting ideas all the time, but the band also rock pretty hard, so this never becomes boring or too artsy. In other words there is a good balance between sophisticated technical playing, melodic elements, and heavy and hard rocking sections. A 3.5 star (70%) rating is fully deserved.

SUN CAGED The Lotus Effect

Album · 2011 · Progressive Metal
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dtguitarfan
I have been following Sun Caged for a while now, and before this album always thought they were a band that had a lot of potential, but that's as far as I would have taken it. Well, I'm happy to say that when I heard this album, I was convinced that this was potential realized. This is a fantastic example of what Progressive Metal is all about - the stop/start rhythms, the instrumental sections that show off the technicality of the band, the vocal harmonies, the changing dynamics of the music. There really isn't a weak track on the album either - each track is an opportunity for the band to explore, and they do so very well. And of course, the album has something that makes a Prog Metal fan like myself drool - a nice multi-part epic suite. This album is in my top 10 for the year 2011. I hope to hear from this band again very soon!

SUN CAGED The Lotus Effect

Album · 2011 · Progressive Metal
Cover art Buy this album from MMA partners
Stephen
'The Lotus Effect' is one of the most volatile prog-metal disc I ever heard in 2011. I know several others but the point is, SUN CAGED seems to excite you with a splendid melodic kick, and then bored you instantly with some mediocre tracks, and then push you up to the sky with some nice shred and scream, and torn you to pieces with couple of worst prog-metal tracks I ever heard. That's a huge roller coaster ride but not in an incredibly fun way.

'Seamripper' is a monstrous opening set, with a death metal pattern rolling in, the early part is highly melodic and complex, yet it provides an easy access to the whole song. 'Tip-Toe The Fault Line' is where DREAM THEATER meets PORCUPINE TREE, and check out the solo, it's a madness! And to the next 6 tracks, I'm experiencing a painful journey. 'Shades of Hades' is a torture to my ears, and 'Pareidolized' is only slightly better. 'Reductio Ad Absurdum' is quite boring but kudos to the great singing here.

The only track I can accept is 'On Again/Off Again', but hope soon arise again with 'Parasol', an easy listening type of track but I love the simplicity of it. 'Wave The Banner' is a nice short track, and nothing's really memorable until 'Let It Wash Away', which is a good closer. With a running time of over 70 minutes, you must be a real hardcore fan of this band, or the genre, to really enjoy this album.

I don't think I can stand the whole album in one single spin without taking a break, it's just unbearable, but 'The Lotus Effect' isn't a horrible album at all, some good moments, some listenable tunes, I can avoid some tunes and I'm doin' fine. It's just that I don't see a good reason to grant this any score above 60%, probably even lower.

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