UMUR "Of Darkness..." is the debut full-length studio album by Swedish death metal act Therion. The album was released through Deaf Records in February 1991. Since forming in 1987 under the Blitzkrieg monicker, and shortly working under the Megatherion monicker in 1988, before changing their name to the current one, Therion released three demos and the 1990 "Time Shall Tell" EP, until being signed by Deaf Records for the release of "Of Darkness...".

All 8 tracks on the 39:29 have appeared on the early releases by the band. The 4 tracks from "Time Shall Tell" (1990) are featured here in re-recorded versions. "Morbid Reality" and "The Return" are culled from the April 1989 "Paroxysmal Holocaust" demo, "Megalomania" are taken from the November 1989 "Beyond the Darkest Veils of Inner Wickedness" demo, and finally "Genocidal Raids" first appeared on the 1990 "Rehearsal" demo.

So there isn´t anything new here if you own the previous releases, but the versions of the songs on "Of Darkness..." are all re-recorded tracks, recorded in August–September 1990 at Sunlight Studio, Stockholm with producer Tomas Skogsberg. Although it doesn´t beat some of the earliest Swedish death metal albums in terms of release date (albums like "Dark Recollections" by Carnage and "Left Hand Path" by Entombed were both released in early- to mid 1990), it is still one of the early Swedish death metal releases, and considering that Therion formed as far back as 1987, they were arguably quite an influential part of the early Swedish death metal scene.

Although the sound production and the musicianship are decent enough, "Of Darkness..." falls a little short in the songwriting department. Re-recording demo material that wasn´t that great to begin with maybe wasn´t the best choice that Therion could have made, but that´s what they opted to do on "Of Darkness...", and as a consequence it´s not a particularly strong death metal release. There are too many unremarkable tracks and sections and not many tracks leave a lasting impression either. So it sums up to a decent but not great release, and a 3 star (60%) rating is warranted.

siLLy puPPy Although THERION which emerged from Upplands Väsby, Sweden are considered one of the pioneers of mixing metal music with full-blown arrangements of orchestra instruments, choirs and classically trained musicians which created an entire new section at the metal supermarket called symphonic metal, the band began as something completely different. From the start, the THERION project has been the baby of founder Chritofer Johnsson who started this band all the way back in 1987 only under the name Blitzkrieg but would soon change it to THERION which was mined from the Celtic Frost album “To Mega Therion” with the moniker being the Greek word for “beast.” And that’s exactly what this early version of THERION was all about, namely extreme bestial metal that fell squarely into the death metal world.

While the band’s sound was inspired by the thrash metal of early Metallica and Slayer, the band was more attracted to the occult themes of early Venom and the punk infused fury of Motorhead. After a couple of demos titled “Paroxysmal Holocaust” and “Beyond The Darkest Veils Of Inner Wickedness,” THERION released one 7” demo turned short EP in the form of “Time Shall Tell” however that musical specimen became irrelevant since all of the tracks were included on this debut album OF DARKNESS. In fact most of the tracks on this first offering were pretty much left over from the late 80s which must’ve given it a very proto-death metal sound considering it emerged in the year 1991 when the death metal sounds of Morbid Angel, Death, Atheist, Incantation and too many more to count had already evolved into myriad different directions.

Considering what THERION would become in a few short years when the lauded “Theli” was released in 1996, there is really absolutely nothing at this stage to connect it to that groundbreaking fusion of disparate musical styles. OF DARKNESS pretty much plays by the old school death metal book of the late 80s with heavily distorted guitar riffs churning out at breakneck speed, the occasional Morbid Angel guitar squeal solos, blastbeat drumming frenzies and of course the posted by Satan guttural growls which unintelligibly morbidity, perversion and general dystopia. The tracks were all mined from the 1987-1989 timeline so this was pretty much a get it recorded and put out already type of album that served as getting the band’s name out into the greater extreme metal world.

By today’s standard’s this one sounds pretty generic for all its ferocity and stellar musicianship that at this stage included Johnson on vocals and guitar, long THERION lead guitarist Peter Hansson, Oskar Forss on drums and Erik Gutafsson on bass. Even on the remastered versions of OF DARKNESS the eight original tracks still sound like demos that have merely been spruced up a bit and newer versions also contain some of the other demo versions. At this point there are zero clues as to where THERION would take the metal world and unfortunately OF DARKNESS despite it’s adequate job of cranking out quality death metal doesn’t quite muster up the songwriting chops to create memorable tracks that stand out from one another therefore this debut is nothing more than an incessant rampage of riffs and blastbeats gussied up with hissy fit vocal rage. If the fully matured symphonic metal stage of THERION is where you want to start then skip this noisy beginning and head straight to “Theli.”

Warthur Though it came out in 1991, apparently the songs on Therion's debut album were composed between 1987 and 1989. I can well believe this, since this is fairly primitive death metal material which is competently delivered - as you'd expect for songs Therion had been refining for a couple of years before they entered the studio - but which doesn't really display much in the way of creativity. More or less anything the band do here was done better by earlier death metal pioneers like Hellhammer, Celtic Frost and Death - or, for that matter, the then-latest wave of death metal as represented by the likes of Deicide or Morbid Angel.

Though Therion would eventually find a distinctive sound through the incorporation of symphonic and gothic influences, there isn't a whisper of either on this album, leaving it a decent but disposable example of straight-ahead death metal which would probably have been entirely forgotten were it not for Therion's subsequent achievements.