SilentScream213 Jealousy has always been a hard album for me to rate. The dilemma starts with the fact that a lot of X Japan’s most mediocre material is on this album. That’s not to say any of it is bad – most is actually still great, considering this is X we’re talking about – but this album is not consistent.

I will disclose that nostalgia has rendered many of these more mediocre songs incredibly enjoyable for me now, but there’s no denying the weaknesses here. Desperate Angel and Joker are kind of odd rockers, kind of commercial but lacking any real hooks or staying power. There are 3 instrumentals here, the first track being a beautiful example, but the others are rather take or leave. And then there’s Voiceless Screaming, a beautiful acoustic track which is a very fine song, but most will probably find it about 3 minutes too long.

There’s about half an album left now…

Miscast is an all-around solid track with some fantastic riffs and solos. It’s not their most unique song, but it’s just really good for what it is; a hard rocking melodic riff fest. Stab Me in the Back, on the other hand, is some much-needed energy and aggression for the album. Apparently written years earlier, this track is straight up Thrash Metal, up there with Orgasm as their heaviest and fastest material yet. For fans of their earliest work, this song is a highlight.

So what could possibly hold this all together and warrant such high marks?

Bookending Jealousy are not just the best songs on the album, but (for me at least) among the greatest songs ever written, bar none. Silent Jealousy is one of the earliest (and still most well-done) marriages of actual classical string composition and fast, aggressive metal. Silent Jealousy somehow manages to sound like both a ballad and a thrashing speed metal masterpiece. It is quite simply one of the most powerful displays of sorrow there ever has been, as the track laments about Jealousy, yes, but more specifically what seems like unrequited love. Every musician plays along at lightning speed, breaking their back for over 6 minutes straight, yet the entire song carries a tone of melancholic beauty. This is true catharsis, the exorcising of pain through sweat and art, finally turning it into beauty.

The first time I listened to this album way back when, I remember hoping the closer would be some energetic thrasher or something because the album had been so slow. Beautiful, but slow, and lacking the edge of their previous albums. Well, I didn’t get what I wanted, because Say Anything is an 8 minute ballad finishing off with that theme of unrequited love. Even now, I struggle to find the words for this song. X Japan have written many ballads, almost all of them being top class, heart-rending beauty that plays off that Japanese cheese so well. This one is my favorite of them all, and I could never do justice to it trying to explain the eloquence of the actual compositions. What I can say, is that it captures this feeling of “unrequited love” better than any other song, better than any attempted explanation of the phenomenon in any medium I’ve yet found. Elegant, lovely, fragile, vulnerable, painful. The song is a masterpiece on its own, but for anyone who has experienced this feeling, it is a flawless embodiment of one of the most painful experiences a human can go through.

Closing statement: “I believed if time passes, everything turns into beauty If the rains stops, tears clean the scars of memory away Everything starts wearing fresh colors Every sound begins playing a heartfelt melody Jealousy embellishes a page of the epic Desire is embraced in a dream But my mind is still in chaos and...”

Stephen X Japan enjoyed a breakthrough success after releasing the critically acclaimed album, "Blue Blood" in 1989 and maintained their peak performance through their third album, "Jealousy", in 1991. X Japan was considered a pioneer in visual kei that's inspired many newer bands such as Glay, Luna Sea, and L'arc~en~ciel, a unique appearances that combined the elements from glam, goth, punk, and usually involving androgynous clothing style as well. "Jealousy" displayed a very diverse musical style of X Japan, ranging from power metal, melodic heavy metal, hard rock, thrash, and ballads.

"Silent Jealousy", which is one of their most popular track and also a concert-regular, is a brilliant power metal piece showing Yoshiki’s brutal side behind the drumkit while still emphasizes the song on the melodic harmonies of guitars and vocal. "Miscast" and "Desperate Angel" slower the tempo and both are great tracks with the latter featured a thrilling instrumental duel on the interlude part. "Voiceless Screaming" is a breezy acoustical ballad with Toshi's soothing voice brought to the front. Some furious thrashy riffs were unleashed on "Stab Me In The Back" while the instrumental experimentation of "Love Replica" is sadly my least fave track. Came on next, "Joker", a catchy hard rock which is a track that was loved by many fans. "Say Anything" is an epic AOR-ballad, a timeless classic with an anguish lyric, listen to Hide's pulse pounding guitar solo, you can feel the sorrow carved inside the agonizing notes, just beautiful.

X Japan is a very interesting band. All of the members are extremely-talented and skillful musicians. The mastermind, Yoshiki, for example, is a prominent pianist, songwriter, producer, and drummer at the same time. This is the last album to feature bassist Taiji Sawada and also one of the greatest legacies left by the late Hide who committed suicide in 1998. My only complaint on this album is if you count out three instrumental tracks here, you only get 7 tracks, and that's pretty short for a full-length album, otherwise this deserved a solid nine, and together with "Blue Blood", are my all-time favorite X Japan releases.

Bottomline : The Visual Shock still riding high!