Time Signature Healthy viking cheese...

Tapping into the mythology of their Scandinavian heritage, Swedish Brothers of Metal recently released their second full-length in the form of "Emblas Saga". The album is a tour de force of epic folk-power metal.

The opening track is more of a spoken word introduction, setting the scene for the rest of the album. Fans of Manowar's 'The Warrior's Prayer' will probably like this introduction, because it has a similar atmosphere to it. It's too cheesy for my taste, and when I first heard this track, I expected the album to be your typical Euro-trash cheesy power metal.

Thankfully, my expectations were subverted, because there is almost nothing wrong with the music on this album.

It is larger than life, to be sure, and has that European power metal feel to it. However, Brothers of Metal never o overboard and manage to strike an almost perfect balance between the powerful metal sensibility of older power metal (think Running Wild and Helloween) and the over-the-top approach of contemporary European power metal. Personally, I particularly like how Brothers of Metal inject old school traditional metal into their style. I mean 'Chain Breaker' might as well have been a Judas Priest song, and 'Powersnake' vaguely reminds me of Maiden's 'Blood Brothers'.

There is an underlying folk metal feel to this album, but rather than throwing everything and a million kitchen sinks in here, Brothers of Metal mostly distil their folksy side to essential melodies, many of which - while super catchy - also inherit the melancholy of traditional Scandinavian folk music. There are occasional bursts of folk instrumentation that are both in a dynamic contrast to and a relation of coherence with the power metal side of the album.

It's not the case that the album is totally cheese-free. You can't have European power metal without some cheese. I mean that's like ordering a double cheese burger without cheese. There's plenty of cheese, but it's good cheese with healthy fats and all that. Many of the song openings take on a slightly-over-the-top epic and folky nature but it's not ridiculously indulgent. If you want an example of good cheese, just listen to 'Theft of the Hammer' which is the musical version of a quality burger with a grass-fed beef paddy, double cheedar, extra goat's cheese, and lots of relish. It has several vocal layers, a sympbonic feel, and is overly epic, but it works. For another quality cheeseburger, check out the closing track 'To the Skies and Beyond' which is in may ways the perfect conclusion to this album. Most of the songs on this album feature epic elements, but it never goes awry.

One thing that doesn't work for me is the gruff viking-style semi-spoken vocal style that one of the male vocalists utilize; in fact, I would be perfectly satisfied if Ylva Eriksson took care of all the lead singing. But that's just me. I can see how the male vocals do fit into a viken-esque style of metal. In terms of musicianship, there's nothing wrong with the album. There are some pretty amazing guitar solos to enjoy, and plenty of kick-ass metal riffage. Ylva Eriksson has a voice that suits this style of music perfectly, and delivers some outright beatiful singing in the opening of the title track. The production is crisp, professional and epic.

I was surprised at how much I actually enjoyed listening to this album, given that I normally find folk metal, viking metal, and contemporary European power metal in general to be a tad silly. Maybe it's the songwriting displayed on this album, or maybe it's the musicianship. Could be the catchy choruses and compelling vocal melodies. Perhaps the production. Or maybe Brothers of Metal simply appeal to my own Scandinavian heritage in a way that connects with my inner viking. Who know? I just know that I like this album... which I totally didn't expect.

I tip my viking helmet to you, Brothers of Metal. Well played, brothers and sisters, well played.

DippoMagoo Whenever a band makes a truly impressive debut, it’s very exciting, and yet it can also raise the stakes for any future releases the band makes, as fans hope for them to build on their successes and potentially come up with something even better. The single best debut I’ve heard in recent years was Prophecy of Ragnarok from Swedish power metal band Brothers of Metal, who self-released the album in April 2017, before being signed to AFM, who gave the album a much deserved worldwide release in November 2018. The release was as perfect as a debut can be, with the band presenting a fully fleshed out collection of songs, stylistically falling somewhere in between the epic power metal of Sabaton, and the “true metal” attitude of Manowar, tying it all together with Viking themed lyrics and imagery. I was simultaneously blown away, yet also curious to know if it would even be possible for the band to match such a strong debut, let alone top it. With their much-anticipated sophomore release, Emblas Saga, set for release this coming January, and after giving it several listens, I now have the answer I was looking for: I’ll go into full detail below, but the short of it is, YES, the band has done it!

Like its predecessor, Emblas Saga has a very distinct feel to it, with a base sound that falls somewhat in line with epic power metal bands like Sabaton and Powerwolf, but with a greater emphasis on symphonic arrangements, some folk elements, and a much more ambitious vocal setup. Musically, there’s a wide variety of tracks, just as on the debut, with a good mix of slow, powerful heavy metal, some more mid-paced melodic metal, some very speedy power metal, some more folk-infused tracks, and a couple of ballads. The one thing this album has that wasn’t found on the debut is a slightly longer, near-epic length title track, which is far more complex and ambitious than anything the band had previously attempted, and I’ll describe it further below, but needless to say, it delivers! While everything sounds perfect musically, with the guitars being suitably intense and melodic when needed, the folk melodies being beautiful, the symphonic arrangements being epic, and the production sounding powerful and crystal clear, the strongest aspects of the release are still the vocals and overall songwriting.

As before, the band has three vocalists, with Mats Nilsson largely being relegated to some incredibly epic backing vocals, as well as some of the best narration I’ve ever heard on a metal album, while Ylva Eriksson and Joakim Lindback Ericksson share lead vocal duties. Both leads are as impressive as ever before, with Joakim sounding wilder and more intense than ever, sometimes coming pretty close to death growls, while still sounding smooth, and Ylva’s deep, powerful yet also very smooth and accessible vocals are every bit as strong as on the debut. If anything, the latter is given more room to work with on this album, as Joakim is used more for harmonies a lot of the time (which are every bit as awesome as before), while Ylva tends to take the lead throughout most of the tracks, where she gets to shine, as she’s allowed to experiment a bit with different vocal styles, at times, including some far more aggressive vocals than anything we heard from her on the debut. Just like before, both vocalists are amazing on their own, but sound at their absolute best when paired together, and as talented as they are, credit must also be given to the material they’re working with, as some of the vocal melodies on this album are absolutely out of this world good, and quite a few tracks already left me stunned after just the first listen.

I’ve already hinted at it enough, so I’ll just get to the point and say: The songs on Emblas Saga are all perfect, as the album manages to have both some of the most diverse songwriting I’ve heard on a recent power metal album, as well as some of the most consistently catchy, melodic, epic and most memorable overall.

There’s a little something for everyone here, but more than that, there’s almost certainly something you may not think you’ll want until you hear it and then wish other bands could do something like it. The album opens with an epic intro track, titled “Brood of the Trickster”, which has some great cinematic orchestral arrangements, to go along with some awesome narration, which introduces the overarching concept of the album. I generally dislike narration on albums, but it’s handled perfectly here, only appearing on the intro and then briefly during a few later tracks, and it’s very dramatic and epic, while also being very well performed.

Following that epic intro, the first full song is “Powersnake”, a slow, hard-hitting track, which starts with some epic symphonic arrangements, heavy riffs, and epic chanting vocals, before settling into a nice rhythm for the opening verses, with pounding drums and awesome vocals by both leads. The track has some wonderful melodies, with the chorus being equal parts catchy and very melodic, and then in the second half, there’s a beautiful softer, folk-infused section, followed by awesome choral vocals and an amazing guitar solo. The track didn’t blow me away at first, but over time it’s become a favorite, and it gets the album off to an amazing start. Next is “Hel”, a fairly heavy, guitar-driven track with some insanely epic chanting early on, before speeding up for the opening verse. The track alternates between heavy, fast-paced verses, and a slow, beautiful chorus, with wonderful vocal harmonies, and while it’s another track that took a few listens to grab me, once it did, it sure never let go.

Being honest, the first song that blew me away on my initial listen was “Chain Breaker”, another speedy, hard-hitting track, which has a very classic metal feel to it. Joakim takes the lead with some wild, intense vocals during the verses, and then the chorus is frantic, heavy and by far the wildest moment the band has produced so far, with even Ylva coming close to screaming, and it very much has a classic heavy metal feel to it, awesomely. At the same time, the band manages to fit in some very nice melodic passages, both instrumentally and vocally, to help contrast the more intense moments, and so it ends up being an insanely addictive track. While that track is awesome enough, the real magic begins with “Kaunaz Dagaz”, one of the most wonderfully melodic and beautiful power metal tracks I’ve ever heard, while still being intense and fast-paced. It opens with a wonderful soft section, complete with some very beautiful vocals from Ylva, before speeding up and then giving way to some wonderful melodic guitar work, which falls close to the folk territory, except played entirely on guitar, and both the tone and melodies performed here are incredible. The track continues to pick up momentum with some epic harmonies during the verses, and then the chorus is absolutely beautiful, catchy, epic and just plain amazing in every possible way, all while being upbeat and fairly fast-paced, and the guitar solo in the second half is technically solid and quite nice sounding, while the sped-up final run through the chorus is pure gold. Overall, it’s an incredible track, and it certainly sounds unlike pretty much anything I’ve heard from a power metal band before. It’s hard to put into words what sounds different about it, but there’s just a little something to it that feels somewhat familiar, yet unfamiliar at the same time, and I love it.

Back to the more common, but still awesome territory, “Theft of the Hammer” is a rather comical tale, with hilarious lyrics, while the track moves along at a nice pace, not overly fast but still quite upbeat. Joakim takes lead again during the verses and delivers some intense, yet rather comedic vocals, which fit the track perfectly, while the chorus has more excellent harmonies, and is very catchy and extremely fun, while the second half has an excellent harmonized vocal section, and more epic narration. Overall, it’s a very fun track. Next is the first ballad, “Weaver of Fate”, which is largely driven by some wonderful acoustic guitar work and some nice, epic symphonic arrangements. It’s the quieter of the two ballads and has Ylva singing at her softest and most beautiful, which of course works perfectly, as she delivers a powerful, emotional performance, especially during the amazing chorus, while the guitar work gets pretty epic in the second half. While it’s only my second favorite of the two ballads on this album, it’s still an amazing track, for sure, and it’s just a testament to how good the second ballad is than any knock against this one. The first single from the album is “Njord”, a slow, but heavy and intense track, with some nice folk melodies, epic symphonic arrangements, stomping riffs, and a wonderful chorus, with excellent vocal melodies. The two leads both do a wonderful job throughout, and it’s a fun, epic and very catchy track.

The biggest surprise on the album is the title track, which begins with some wonderful chanting vocals from Ylva, which give way to some epic narration. The song is fairly slow-paced but does a great job of alternating between heavy parts, with some great riffs, and some melodic sections with wonderful melodies. The verses have alternating lead vocals, with both vocalists doing a terrific job, and they perform in a way that feels more like a musical, leaning heavily into the storytelling, while the chorus is epic, melodic, and extremely catchy, as usual. The track has some complex arrangements and takes some surprising turns in the second half, with plenty of memorable moments, including an extremely epic final run through the chorus, and while the band attempts a lot here, they manage to pull everything off perfectly, so it’s up being both their most ambitious track to date, as well as one of their absolute best. Moving towards the end, “Brothers Unite” is a rather laid back, though still upbeat track, with some very epic drum work, as well as more amazing symphonic arrangements, and some very triumphant sounding melodies.

It’s a very fun, catchy and wonderfully melodic track, with some of the best-harmonized vocals on the entire album, as Joakim gets quite intense at points, while the choral vocals towards the end are stunning, and t’s a wonderful track, overall. The second ballad on the album, as well as the second single, is “One”, and this is a much more epic, cinematic ballad compared to the earlier ballad, starting with some epic vocals from Joakim during the verses, which give way to possibly the single best chorus I’ve heard this year, and the band goes all out with some incredible vocal melodies and uplifting lyrics, for one of the most emotional, powerful, epic, and just overall beautiful choruses I’ve ever heard on a ballad. It’s an unbelievably epic track from start to finish, with everything from the symphonic arrangements to the vocals, to the lyrics, to the dramatic narration and the guitar solo in the second half all being incredible. In another review, I mentioned “Where the Wild Wolves Have Gone” by Powerwolf being possibly my favorite metal ballad in recent years, and this track is right up there with that, as it’s an absolute masterpiece.

Moving back to the speedy territory, “Ride of the Valkyries” (which has nothing to do with Richard Wagner) is a heavy, intense track with some of the best guitar work on the album, both from the riffs and excellent melodic solo work in the second half. It charges along at a frantic pace and has more intense vocals and epic melodies, as well as one of the most fun, catchy choruses on the album. It’s one of the most energetic tracks, for sure, and is another instant favorite. Closing out the album is “To the Skies and Beyond”, another mid-paced, but very upbeat track, with triumphant lyrics and melodies, as well as more epic symphonic arrangements and beautiful folk melodies. Early on, there are some beautiful softer passages, and the verses are very light and melodic, while the chorus has some vocal melodies that are just so damn emotional, epic and beautiful, they feel too good to be of this world. The track gets more upbeat and epic as it goes on, with the end sequence, in particular, being stunning, with Ylva giving an incredible vocal performance, while Joakim continues to provide some outstanding harmonies.

I know this review has been repetitive in praising the vocal harmonies, melodies and overall epic feel and awesomeness of this album, but that is because words fail to do the music justice, at this point, and I’m pretty much at a loss on what to say, except that this album and band are just absolutely incredible! Brothers of Metal immediately left their mark on the genre back in 2017 with their debut, and Emblas Saga builds on that release, presenting another diverse collection of songs, which further explores everything that made the band’s debut so special while going even further and at times showing new sides to the band. Fans of the debut, as well as fans of Sabaton or Powerwolf, are highly recommended to give this a listen, and anyone looking for the next big thing in power metal should pay attention, as I don’t see how any other new or upcoming bands can match this! Brothers of Metal have already proven themselves more than worthy of entering Valhalla, but hopefully, Odin allows them to stay on Earth for a while longer yet, so they can give us mere mortals more wonderful music to enjoy!

originally written for myglobalmind.com: https://myglobalmind.com/2019/12/14/brothers-of-metal-emblas-saga-review/

DippoMagoo Vikings and metal tend to go together very well, and the idea of combining the two has obviously been made popular by the likes of Swedish melodic death metal band Amon Amarth and German power metal band Rebellion, and now a new challenger has arrived to prove themselves worthy of fighting for Odin. That band is Brothers of Metal, from Sweden, and they have unleashed their debut Prophecy of Ragnarok, which is not only an incredibly addictive power metal album, with varying influences from other genres and a ton of different exciting elements, but it also happens to be perhaps the very best Viking themed metal album I’ve ever heard, as the band takes familiar ideas and mashes them together perfectly, while also managing to create their own distinct sound that really has to be heard.

On the surface, comparisons to Sabaton are pretty obvious, as the band puts the same emphasis on anthem like choruses, huge symphonic elements, including the use of epic backing vocals at times, and their songwriting is insanely catchy and often does feel similar to the aforementioned band. At the same time, while the main concept is themed around Vikings, lyrical comparisons can also be drawn to Manowar, particularly when it comes to the kind of true metal attitude the band often displays, which can at times come across as a bit cheesy, but the band displays so much energy that one can’t help but smile and have a great time through it all. One thing that separates Brothers of Metal from either band, though, is the use of folk elements, which are quite prominent and are used very effectively. At times this comes through the simple use of epic folk melodies in the guitar work, but there are also many sections where folk instruments come in and take over for a while, and these sections are pretty epic. On a compositional level, this is an outstanding album, as there’s a ton of variety in the songwriting, ranging from epic fast paced tracks, to more mid paced crushers, slow and melodic tracks, ballads, and songs which aren’t overly fast, but move at a pretty decent pace and include folk elements. One last thing that has to be mentioned is just how confident this band seems already, as everything from the guitar riffs, to the vocal lines to the way symphonic and folk elements are used even to the simple things like how the drum beats sound, all exude confidence, and it really feels like that band know exactly what they want to do with every song, and they’ve done it perfectly, which is truly impressive for a band on their first album.

For everything this album does right, the one area where I’m most impressed has to be the vocals. There are three vocalists in the band, but they’re used much differently than in a band like Amaranthe. Instead of three leads, we have Mats Nilsson providing some epic backing vocals at points, as well as doing various vocal effects throughout, which is pretty epic, while the other two vocalists carry the bulk of the load. First up, Joakim Lindbäck Eriksson has a gruff and very deep voice that certainly reminds me of Sabaton’s Joakim Brodén, though he often sounds a lot wilder and more intense, almost coming close to a growl at times, and his delivery is generally quite fiery and very energetic. His co-lead is Ylva Eriksson, who has a very powerful voice and often stays in an alto range throughout the album, though she can go higher at times as well, as she provides some epic soaring vocals throughout and does a great job of bringing out the melodies in the songs. Vocal duties are split very evenly between the two, with many sequences letting one take the lead for a bit, then letting the other singer take over, and there are also many parts, especially during the choruses, where the two sing in harmony and these are generally the best parts on the album, as while they’re both excellent on their own, they sound incredible when paired together. In fact, while many bands in recent years have utilized dual lead vocals, I think this pairing may be my favorite of all, they sound that impressive together.

The album gets off to an excellent start with the exciting opener “Death of the God of Light”, a track which opens up with some epic folk melodies and moves along at a pretty quick pace, while having some great riffs and an excellent chorus, which showcases the two lead singers very nicely. It’s a very fun, extremely catchy song that serves as a great introduction the band’s sound. Next is the slower, heavier “Son of Odin”, which opens with a brief voiceover, before the guitars kick in and it turns into a slow moving, but still very epic track with another excellent chorus and has a cool vocal section in the middle where the folk elements take over, and we get some epic backing vocals. One thing I really like about this track is that the drums are made to sound like a blacksmith’s hammer, which is a pretty cool effect.

Songwriting is clearly a big strength of this band, as every song here is outstanding, and offers a ton of variety for listeners. Fan looking for some speedy power metal have a ton to look forward to, starting with the epic title track. This track is one of the fastest paced songs on the album, and has excellent verses, with great riffs and great alternating vocals between the two leads, and of course, the chorus is super catchy as always and includes some cool gang vocals. The section near the end is also epic and uses narration quite effectively. In fact, while the album does have some occasional narration, especially on the brief interlude track “Concerning Norns”, it blends in nicely and is used seldom enough that it never because distracting, but instead adds extra flavor. Moving on, “Siblings of Metal” is another super fun speedy track which has an epic choral section at the beginning, before speeding up and becomes one of the most epic tracks on the album, with one of the most addicting choruses. Right after that is “Gods of War”, another speedy track which slows down for its epic symphonic infused chorus, but also stays epic throughout. Perhaps my favorite of the faster songs is “Sleipnir”, a track which stays heavy throughout its verses, with some very powerful near growls from Joakim, and then it speeds up as Ylva takes over and provides some epic soaring vocals for the chorus.

On the slower side, “Yggdrasil” is an amazing ballad, which has some subtle folk elements throughout, and it’s a very enjoyable track overall, and has a nice vocal section towards the end, but it’s the chorus that really stands out, as the two leads harmonize together so wonderfully and it is just an absolute treat to hear. There’s also a really nice guitar solo in the middle, which leads into the epic vocal section later on. As amazing as the rest of the album is, this may actually be my favorite, though it’s tough to tell as I could make that claim for basically any song on the album. Similarly, “Freya” is a fairly slow and laid back track, which has enough heavy sections that I wouldn’t call it a full on ballad, though it’s certainly on the softer side and Ylva provides some very beautiful vocals throughout the verses, while Joakim comes in during the chorus as usual, and it’s another folk influenced track, with some symphonic elements as well. Lastly, closing track “We Believe in Metal” is another fairly soft track, which has yet another epic and super addictive chorus, as well as an excellent guitar solo. It’s a very upbeat track and certainly ends the album in a great way.

In the realm of not overly fast but also not particularly slow, we have songs like “Tyr”, “The Mead Song”and “Fire, Blood and Steel”, which move along at a decent pace and are all pretty hard hitting tracks, while still providing the same epic vocal harmonies and great choruses as usual, with “The Mead Song” in particular being a very silly track with strong folk elements throughout, and it has an especially epic section in the middle where the folk elements really take over. One more heavily folk influenced track is “Defenders of Valhalla”, which opens up with a nice folk section and moves along at a pretty nice pace, while once again providing an insanely epic sing along chorus, complete with excellent harmonies from the two leads and some super epic backing vocals. This track is perhaps the catchiest and most fun track on the entire album.

For a debut, Prophecy of Ragnarok is an absolutely stunning achievement, as it provides an extremely entertaining mix of power, folk symphonic and heavy metal with a wide variety of insanely catchy songs, as well as introducing an excellent vocal duo that instantly impresses, all while delivering an epic Viking themed concept. Fans of Sabaton, in particular, should find a lot to enjoy here, but I’d highly recommend this album for any fan of power metal or just epic Viking themed metal in general, as there’s enough variety here that it should please a wide group of metal fans. Brothers of Metal have certainly stormed onto the scene with an impressive debut, and I really hope they catch on and have the success they deserve because this is definitely one of the most fun and instantly satisfying metal albums released in 2017 so far.

originally written for myglobalmind.com: http://myglobalmind.com/2017/07/22/brothers-metal-prophecy-ragnarok-review/