DECLINE OF THE I

Black Metal • France
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Decline of the I is a French project whose style is described as a post black metal a mix between Burzum, Neurosis and Code. The central member of the band is A.K. also known from Vorkreist.
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DECLINE OF THE I Discography

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DECLINE OF THE I Inhibition album cover 3.00 | 1 ratings
Inhibition
Black Metal 2012
DECLINE OF THE I Rebellion album cover 0.00 | 0 ratings
Rebellion
Black Metal 2015
DECLINE OF THE I Escape album cover 3.50 | 1 ratings
Escape
Black Metal 2018

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DECLINE OF THE I Escape

Album · 2018 · Black Metal
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Kev Rowland
Decline Of The I is a French post-black metal band. Their third studio album, ‘Escape’, is the final part of a concept trilogy inspired by French surgeon and philosopher Henri Laborit, whose works included brain studies. The lyrics and their hidden message play an important factor in the band's music, which has its roots in black metal, but although it always contains the atmosphere and emotion one expects from that genre, it is also bringing in influences not normally expected including electronic and industrial as well as orchestral elements. The band is led by a multi-instrumentalist, A, who has played in bands such as Vorkreist, Merrimack, Neo Inferno 262, Malhkebre and Diapsiquir. Decline Of The I is his personal approach on dark music and his spectrum of roles in the band ranges from vocalist, to guitarist, bassist, keyboard player and programmer. A is accompanied by musicians of Merrimack, Anus Mundi, Temple of Baal, Eibon and Drowning fame, all of whom are identified by a single letter.

The band commented: "After a heavy and neurasthenic first chapter, and an epileptic, dirty and violent second one, here's the last part of the Decline of the I’s trilogy: Escape. It’s now time to leave, to avoid this perpetual aggression of the outside world. All the other reactions leaded to a dead end. Running away is the only possible move for the subject to preserve its entity. There are many forms of escape: madness, suicide, technology, spirituality. This third album explores all of them. Musically, it’s the synthesis of all the previews works; it's contemplative and slow but also very fast, dark and brutal".

This is album that needs to be played repeatedly, as on first hearing there is a jarring nature as it doesn’t easily fit within the normal boundaries, and it is only be giving it the attention it deserves that one realises that there is something out of the ordinary going on here. Strange treated voices, black metal guitars, loops and weird sounds create something that sits on a knife edge, bringing together harmony and discord in a way that is both uncomfortable and compelling. This is not an easy thing to listen to, yet it is something which ultimately rewards those who are willing to make the effort. Sometimes music needs to be pulling at the leash, knocking down the doors, and this does that repeatedly. If black metal was being performed by the inmates of an asylum then this is how it would sound.

DECLINE OF THE I Inhibition

Album · 2012 · Black Metal
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Time Signature
Where death is...

Genre: depressive sludge-black metal

Placed at the more experimental end of the black metal continuum, Decline of the I's "Inhibition", which is the first installment in a trilogy, draws on a number of primarily dark and melancholic emotions.

Combining depressive black metal with doom and sludge, Decline of the I presents the listener with eight dark tracks that teem with desolation and desperation. Many of the riffs are heavy and doomy, while black metal tremolo-picking also occurs. While observing the convention of emphasis on repetition from black metal each song is nonetheless considerably varied, featuring typically a good handful of riffs, some of which are actually awesome (just check the groove of the breakdown at 3:12 in 'The End of a Sub-Elitist Addiction').

At times, the music on "Inhibition" comes across slightly gothic because of the use of various atmospheric effects, but a more prevalent feature is the inclusion of electronica elements, as electronic drumbeats appear several places in the album. This is probably not for every metalhead, but on what is essentially a sort of avant-garde black metal release, there is no rule that disallows electronic drumbeats.

Listeners who are interested in more experimental black metal and who do not mind the inclusion of electronica elements and sludge metal aspects should defintiely give this album a listen. It's weird, and in the world of experimental black metal weird is good.

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