lukretion
Gamma Ray’s 7th full-length caught me by surprise. Knowing the band mostly for their classic mid-90s albums Land of the Free and Somewhere in Time, I was expecting another solid slab of anthemic, if predictable, power/speed metal. No World Order! served me instead with a kaleidoscopic compendium of everything metal, where the sound of classic UK/US bands from the 1980s (Judas Priest, Iron Maiden, Black Sabbath, Manowar) is reinterpreted with gusto by the German band, finding new life as it is filtered through the Gamma Ray musical rulebook. The end result is an exciting voyage through vast metal landscapes, which might feel familiar but are nonetheless exciting.
The references to the classic HM sound are mostly apparent in the record’s mid-section. “The Heart of the Unicorn” and “Solid” are obvious tributes to Judas Priest (with “Solid” even blatantly borrowing the main riff from “Rapid Fire”). “Heaven or Hell” is a battle hymn whose epic overtones will excite more than one Manowar’s fan, while “New World Order” sports a fun, pure hard rock riff that wouldn’t have been out of place on an AC/DC album. The remaining tracks bear stronger resemblance to the German power/speed metal sound that Gamma Ray, together with Helloween, have contributed to immortalize. Even in these songs, however, Kai Hansen and co. do not refrain from laying down a couple of Easter eggs for their fans, like the Maidenesque solos in “Eagle” or the Manowar-tinged ballad “Lake of Tears”.
Remarkably, almost every song feels truly inspired, regardless of the style that the band decides to push to the fore. “Dethrone Tyranny”, “New World Order”, “Damn the Machine” and “Eagle” are particularly exciting, sporting strong riffs, memorable melodies and fun, explosive solos. “Fire Below” is perhaps the only episode that is below average and could be regarded as a filler, while “Solid” may be a bit too close for comfort to the source of its inspiration.
Overall, No World Order! Provides a smooth listening experience that keeps the listener second-guessing which particular artist inspired each song, while at the same time never sounding completely derivative but maintaining a strong Gamma Ray identity throughout. The album’s main strength lies in the way its 11 tracks explore each a different sonic niche. This variation helps balancing the otherwise rigid songwriting that rarely departs from the usual cycle of verse/chorus repetition. It’s a fun album to sit through, one that truly captures the spirit of heavy metal in the same way as the best records from the HM greats once did. And now, this is no mean feat, is it?