GENERATION KILL

Crossover Thrash • United States
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GENERATION KILL was formed by former EXODUS frontman Rob Dukes and Rob Moschetti (ex-PRO-PAIN, M.O.D.) who draw deeply from their musical roots that show through openly. Lead Guitarist Jason Trenczer (ex-MUTILATION) is a master of technical guitar work adding catchy riffs and solos. Second guitarist and new member Jason Velez contributes an Erie Metal style with groove and melody. Newest edition to the band is Powerhouse Drummer Jim DeMaria (ex-MERAUDER), who adds an extra dose of speed and power with his Hardcore/Thrash background.

2013 brought the follow-up to 2011’s 'Red, White, and Blood'. After parting ways with Season Of Mist, the band decided to finance the recording of their second album themselves. Teaming up with renowned producer Zeuss (HATEBREED, SEPULTURA, SOULFLY), the band recorded their second album 'We're All Gonna Die' from February to March 2013. This second effort sees the band making major strides in songwriting, showing a much more
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Thanks to Time Signature for the addition and UMUR, kev rowland, tupan for the updates

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GENERATION KILL albums / top albums

GENERATION KILL Red, White and Blood album cover 3.67 | 2 ratings
Red, White and Blood
Crossover Thrash 2011
GENERATION KILL We're All Gonna Die album cover 3.50 | 2 ratings
We're All Gonna Die
Crossover Thrash 2013
GENERATION KILL MKUltra album cover 4.25 | 2 ratings
MKUltra
Crossover Thrash 2022

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GENERATION KILL singles (5)

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Red, White, and Blood
Crossover Thrash 2011
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Prophets of War
Crossover Thrash 2013
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Never Relent
Crossover Thrash 2021
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Rat King
Crossover Thrash 2021
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Into the Black
Crossover Thrash 2021

GENERATION KILL movies (DVD, Blu-Ray or VHS)

GENERATION KILL Reviews

GENERATION KILL We're All Gonna Die

Album · 2013 · Crossover Thrash
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Kev Rowland
This is the second album from the band formed by current Exodus frontman Rob Dukes and Rob Moschetti (ex-Pro-Pain, M.O.D.), following on from 2011’s ‘Red, White and Blood’. They are being touted by some as the new resurrection of thrash metal, and while there is no doubt that they bring some fine licks into that arena they have also been paying attention to Metallica as well as Megadeth so do have some slower numbers as well. “Friendly Fire” is the song that really kicks this band into gear with the power and passion that makes thrash such a vibrant and exciting genre. This is a real grower of an album as the first time I played it I felt that it was okay but not much more than that, but the more time it has spent on my player the more interested I have been in what is going on – repeatedly turning up the volume undoubtedly helps as well. While not totally indispensible, this is an album of presence and power and I bet that they are stunning in a live environment. With Nuclear Blast behind them this is a band to keep an eye on. www.nuclearblast.de

GENERATION KILL Red, White and Blood

Album · 2011 · Crossover Thrash
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J-Man
Red White and Blood is the debut album from Generation Kill, a new supergroup featuring members of Exodus, M.O.D., Mortician, and many more. On this album, the listener will experience eleven tracks of fury-inducing crossover thrash metal that should greatly appeal to fans of the genre. Red White and Blood is a downright fun listen that has enough solid riffs to satisfy any fan of thrash metal or hardcore. This may not be a terribly unique or memorable effort, but it definitely satisfies my craving for groove-infested crossover pretty damn well.

Even though this is first and foremost a crossover-thrash album, Red White and Blood also features some traits that aren't necessarily representative of the genre like acoustic guitar portions, groove-metal riffs, and melodic leads. Generation Kill sticks to their guns on this album, but it's also diverse enough to remain interesting throughout the entire duration. I also find the humor-injected lyrics to be pretty interesting; while still dealing with very serious subject matter, Generation Kill manages to refrain from sounding 'too' serious by adding some funny lines every now and again.

As expected from a group of this caliber, the production and musicianship on Red White and Blood are both flawless. I can't say this is an album I'll be popping in too often in the future, but the quality is very high across the board and 3 - 3.5 stars are the least I can give. If you like crossover thrash with some outside influences, this should be an album worth your investment.

GENERATION KILL Red, White and Blood

Album · 2011 · Crossover Thrash
Cover art Buy this album from MMA partners
Time Signature
Feast for the crossover-heads...

Genre: Crossover

Crossover is the unlikely, but unavoidable, bastard child of hardcore punk and thrash metal and, at its best it captures the sheer energy of hardcore punk and the aggression and focus on musicianship from thrash metal and balances them perfectly. And this is pretty much what Generation Kill do on their debut album.

After a slightly Middle-Eastern oriented acoustic guitar intro, 'Hate' kicks off with a straight in-yer-face hardcore riff and bombards you with raw energy. Soon thrash metal elements are infused into the track which also contains a heavy coda. This pretty much sets the tone of the entire album, some of the tracks, such as 'Hate', 'Red, White and Blood', and 'Depraved Indifference' being more oriented towards hardcore punk, while tracks like 'Feast for Wolves', 'Walking Dead' and 'Let Me Die' are more leaning towards thrash metal.

While the subject matter of the album appears to be a serious one (with plenty of references to killing and destruction), Generation Kill are not above injecting a dose of humor, which is reflected in, for instance, the title track, which appears to be a satirical critique of certain aspects of aggressive US foreign policy - complete with references to Inuit vaginas and a twisted guitar lead rendering of the American national anthem. This sort of humorous approach is not unusual to crossover metal and is inherited from both hardcore and thrash metal.

So "Red, White and Blue" is full of typical crossover elements, but Generation Kill also reach out beyond the boundaries of thrash metal and hardcore in the direction of alternative rock and sludge rock - as in the chorus of 'Feast for the Wolves', all of 'Self Medicating' and the groovy Southern metal inspired semi-doomy 'Slow Burn' (which has a nice surprise for you towards the end). 'Dark Ways' and 'Section 8' are quieter tunes, the latter even being a bit creepy, and NIN fans can look forward to a bonus track cover version of 'Wish'.

While more modern in sound and drawing on groovy metal, Generation Kill's debut album should appeal to fans of hardcore, thrash and crossover, and sludgeheads who like more uptempo music might find it appealing, too.

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