GODFLESH

Industrial Metal • United Kingdom
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Godflesh is an industrial metal band from Birmingham, England, United Kingdom, formed in 1988 by Justin K. Broadrick (guitar, vocals, and programming) and G. C. Green (bass). They are highly regarded as one of the founders of industrial metal. The group disbanded in 2002, and reformed in 2010.

In 1982, Green founded Fall Of Because (named after a Killing Joke song) with Paul Neville. Broadrick, who had been playing guitar as a member of Napalm Death, joined the group in mid-1985 as drummer and vocalist. The band fell apart in 1987. Broadrick then spent a couple of years (1986-1988) as a member of Head of David. In 1988, he contacted Green about reforming Fall of Because. Justin decided to take over on guitars and they chose to use a drum machine to help out. They also decided to change their name to Godflesh.

Godflesh established a presence in underground music
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GODFLESH Discography

GODFLESH albums / top albums

GODFLESH Streetcleaner album cover 3.47 | 23 ratings
Streetcleaner
Industrial Metal 1989
GODFLESH Pure album cover 3.05 | 12 ratings
Pure
Industrial Metal 1992
GODFLESH Selfless album cover 3.32 | 11 ratings
Selfless
Industrial Metal 1994
GODFLESH Songs of Love and Hate album cover 2.41 | 6 ratings
Songs of Love and Hate
Industrial Metal 1996
GODFLESH Us and Them album cover 1.84 | 7 ratings
Us and Them
Industrial Metal 1999
GODFLESH Hymns album cover 3.56 | 8 ratings
Hymns
Industrial Metal 2001
GODFLESH A World Lit Only by Fire album cover 3.31 | 4 ratings
A World Lit Only by Fire
Industrial Metal 2014
GODFLESH Post Self album cover 3.25 | 4 ratings
Post Self
Industrial Metal 2017
GODFLESH Purge album cover 4.00 | 1 ratings
Purge
Industrial Metal 2023

GODFLESH EPs & splits

GODFLESH Godflesh album cover 4.00 | 4 ratings
Godflesh
Industrial Metal 1988
GODFLESH Slavestate album cover 2.50 | 3 ratings
Slavestate
Industrial Metal 1991
GODFLESH Cold World album cover 3.25 | 2 ratings
Cold World
Industrial Metal 1991
GODFLESH Loopflesh / Fleshloop album cover 0.00 | 0 ratings
Loopflesh / Fleshloop
Industrial Metal 1991
GODFLESH Merciless album cover 3.17 | 3 ratings
Merciless
Industrial Metal 1994
GODFLESH Crush My Soul album cover 0.00 | 0 ratings
Crush My Soul
Industrial Metal 1994
GODFLESH Love and Hate in Dub album cover 1.75 | 2 ratings
Love and Hate in Dub
Industrial Metal 1997
GODFLESH Messiah album cover 4.00 | 1 ratings
Messiah
Industrial Metal 2000
GODFLESH Grind Madness at the BBC The Earache Peel Sessions album cover 5.00 | 1 ratings
Grind Madness at the BBC The Earache Peel Sessions
Industrial Metal 2014
GODFLESH Decline and Fall album cover 3.50 | 1 ratings
Decline and Fall
Industrial Metal 2014

GODFLESH live albums

GODFLESH demos, promos, fans club and other releases (no bootlegs)

GODFLESH Merciless album cover 0.00 | 0 ratings
Merciless
Industrial Metal 1994

GODFLESH re-issues & compilations

GODFLESH Slateman / Cold World album cover 0.00 | 0 ratings
Slateman / Cold World
Industrial Metal 1996
GODFLESH Selfless / Merciless album cover 0.00 | 0 ratings
Selfless / Merciless
Industrial Metal 1996
GODFLESH In All Languages album cover 0.00 | 0 ratings
In All Languages
Industrial Metal 2001

GODFLESH singles (6)

.. Album Cover
0.00 | 0 ratings
Pulp / Christbait Rising
Industrial Metal 1989
.. Album Cover
0.00 | 0 ratings
Slavestate Remixes
Industrial Metal 1991
.. Album Cover
0.00 | 0 ratings
Slavestate
Industrial Metal 1991
.. Album Cover
0.00 | 0 ratings
Slateman / Wound '91
Industrial Metal 1991
.. Album Cover
5.00 | 1 ratings
Mothra
Industrial Metal 1992
.. Album Cover
3.50 | 1 ratings
Post Self - single
Industrial Metal 2017

GODFLESH movies (DVD, Blu-Ray or VHS)

GODFLESH Reviews

GODFLESH Us and Them

Album · 1999 · Industrial Metal
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SilentScream213
I’ve never been a fan of Godflesh’s style of repetitive and simple Sludge Metal focusing on textures, nor was I very much on board for their overly rhythmic and still simple Industrial Metal. The issue is, none of the instruments are ever doing enough. Drums are slow, simple, and often play the same beat an entire song. Guitars scarcely compose something that could be considered a riff, usually opting to add fuzzy heaviness without much direction. Vocals always a bit too monotonous and occupying an unflattering middle ground between aggressive and lethargic. Industrial sound effects were, once more, too repetitive and too few to have much impact on the music.

Well, one of those things changed on Us and Them. The band adopted a very significant Drum and Bass influence for this album. Because of this, the rhythm section picked up a ton in intensity and complexity on many of the tracks. Sure, it’s still repetitive as all hell, but a faster paced, energetic and powerful beat backing their miserable tracks does wonders for entertainment. It’s all machines, but their previous drummers did everything in their power to sound like soulless robots anyway, so that’s no loss.

The unfortunate thing is, none of the other weaknesses were alleviated. Guitars are incredibly boring and minimal. The bass actually has some really cool moments, which is awesome! It finds itself playing lead more often than not, which just does more to highlight the rhythm section as the ultimate strength to this album. As cool as the rhythm section is here, it can’t offset the other incredibly boring aspects of the album. The band has incorporated more Industrial sound effects here, and this is a blessing and a curse: at best, the minimalistic songs gain some much-needed layers of density and intrigue; at worst, an incredibly annoying sound clip will repeat 30 times over, doing everything it can to ruin the song for you.

Special mention to the final tracks “The Internal” and “Live to Lose,” which show them building atmosphere and mood to great effect. Closer in sound to the Cold World EP material, which was the band at my absolute favorite. These songs are awesome and appeal to my tastes so much more. When the band builds atmosphere in addition to their trademark texture and rhythm, it elevates their music exponentially. Unfortunately, they rarely ever do this, and texture by itself proves something that will never appeal to me.

GODFLESH Songs of Love and Hate

Album · 1996 · Industrial Metal
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SilentScream213
Godflesh remains one of those bands I just don’t “get.” Each song is more or less one rhythmic pattern repeated nonstop and a handful of boring, repetitive riffs. Back on their debut, at least this style was novel, though I liked it no more then than I do now. By Songs of Love and Hate, there were already a few other Industrial Metal bands offering a lot more than Godflesh, and I still fail to see the acclaim given here. Honestly, I actually dug this more on the first listen, not paying too much attention to it and enjoying the rhythmic aggression. Unfortunately, more focused listened revealed just how boring it is, with almost no memorable moments whatsoever.

That aside, there is one accolade I will give this album. The track Frail is legitimately good musically, it sounds quite different from the rest, with a bit more energy, melody and emotion.

I would love to see them explore more sounds like on their Cold World EP, or like the track Frail here, but alas…

GODFLESH Songs of Love and Hate

Album · 1996 · Industrial Metal
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Unitron
I could ramble on about how much I love this album and how much it's helped me though my life, but I'll keep things concise. This is Godflesh's peak, screaming with the most emotion while also having the catchiest hooks. It's depressive in such an honest way, Broadrick's vocal performance screams all the feelings emoted by the music, and the atmosphere is drenched in lugubriousness. Brooding hip hop beats in Circle of Shit and Kingdom Come are both groovin' yet enhance the haunting atmosphere. It's probably the closest there's ever been to Illbient metal.

If you're just looking for noisy industrial, Streetcleaner is your album. However, if you love electronic and hip hop and want something that's really emotionally heavy, this and Us and Them are Godflesh's best. This can be either catharsis or simply a fantastic and infectiously catchy album.

GODFLESH Streetcleaner

Album · 1989 · Industrial Metal
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SilentScream213
Sometimes when you listen to one of these acclaimed albums and don’t like them so much, you can still see what makes the album so great. You can recognize what other people see in it and write it off as just not being your thing. But sometimes, you might just be left mystified, wondering “What am I missing?”

Just before Streetcleaner, I had been listening to Peter Gabriel’s Passion, one of his most revered releases and a widely acclaimed New Age/World Music album. The album didn’t do anything for me, mostly because I’m not a fan of the style of music. However, I could still acknowledge the great compositions and brilliant atmospheres crafted in the soundscapes, and it was no mystery to me why it is so well liked.

Streetcleaner is a different case. I love metal. I love dark, misanthropic, heavy music. But listening to Streetcleaner, I struggle to find any appeal at all. The songs are all incredibly simple, and it sounds much less like a performance and much more like each member came up with one loop and just had it repeat for 5 minutes. There’s nothing innately wrong with this, but if you’re gonna repeat something for so long, at least make it good. The riffs are barely there; boring, slow, uninspired guitar that does little other than add a sludgy atmosphere, and ditto for the bass. The drum beats are equally boring and uninspired, and aside from some occasional addition of double bass, never do anything interesting. The vocals are sometimes there, and that’s all I can say about them.

The album is certainly dark, but the problem is that it is not active in achieving this. All the music is incredibly passive, and by that I mean there’s a lot of nothing going on aside from sounding heavy and dissonant, and it becomes the listener’s job to project any actual mood to it. The music doesn’t invoke anything on its own, but rather acts as a pool to collect such projected feelings. Unique at the time, and influential for everything that came after… but I’d say this is another case of influenced far surpassing the influencer.

GODFLESH A World Lit Only by Fire

Album · 2014 · Industrial Metal
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BitterJalapeno
Deep, dark and exceptionally moody, A WORLD LIT ONLY BY FIRE was the first GODFLESH album released in nearly 13 years after 2001s HYMNS. I get the impression that they were trying to record something of refreshed version of their first studio album STREETCLEANER which I think they did successfully. Call it a STREETCLEANER 2.0 if you will. It has the same relentless rumbling aggression, very low tuning and Broadrick's signature bark but with a fresher feel from the modern production. If you listen with headphones up full blast and close you eyes, you can practically see the fire mentioned in the album title (or maybe it just makes me think of the album cover of STREETCLEANER??)

Having said that, I would still put STREETCLEANER in front of this down to its originality at the time of its release even though the music itself has a less professional feel which is generally the case for most first releases anyway and certainly not always a bad thing.

One thing that lets A WORLD LIT ONLY BY FIRE down in my opinion is that it can feel that it drags on somewhat towards the end and on occasion, i do not make it quite to the end of the album. For this reason, I cannot give more than 3.5/5. Still a great album which I would recommend to anyone who likes their metal dark and bleak.

BitterJ

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