THRESHOLD — Extinct Instinct (review)

THRESHOLD — Extinct Instinct album cover Album · 1997 · Progressive Metal Buy this album from MMA partners
4/5 ·
Kev Rowland
When their third album was released in 1997, some three years after ‘Psychedelicatessen’, not only did the band have a new drummer but also a ‘new’ singer. Glynn Morgan had replaced Damian Wilson after the debut, only for him to in turn be replaced by Damian Wilson. Damian would only hang around long enough for this album before being replaced by Mac, before coming back yet again after the release of ‘Dead Reckoning’ in 2007. But, at the time of this recording the future was yet to unfold and although Glynn had done a good job, many fans (me included) were pleased to have Damian back as the frontman.

I think of all of their albums, this is the one that takes the longest to make an impact and I have never been able to work out why, possibly most of the stronger songs are to the end? No idea. All I know is that each time I play it I start off by thinking that it is a 3* album but by the end I am convinced that it is a solid 4*, and that happens every time, and I hate to think how many times over the years I have played this. Maybe that’s the point. I first heard and reviewed this album when it came out some 15 years ago and I still play it. True, I have just been sent this to review by Nuclear Blast which is why I am playing it so much at the present, but Threshold have never gone out of favour with me from the time I first heard ‘Wounded Land’. By the time that was released I knew Karl from Shadowland and Strangers On A Train and Damian from his solo work and Landmarq, yet Threshold blew me away, and still do. The understanding between keyboard player Richard West and his guitar-toting colleagues is second to none, and bassist/backing singer Jon Jeary was an awesome presence during his tenure. Mostly more metal than prog, this is an album of different shades and colours and they all come together in “Forever” which is a ballad, a symphonic masterpiece, and a brooding metallic monster all in under five minutes.

By the time ‘Clone’ came out the following year Damian was gone, and this album gets somewhat overlooked by many, but if you want metallic prog with stunning vocals, great melodies and musicianship then this is worthy of discovery. www.nuclearblast.de
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