ECNEPHIAS — Necrogod (review)

ECNEPHIAS — Necrogod album cover Album · 2013 · Gothic Metal Buy this album from MMA partners
3.5/5 ·
Kev Rowland
This has be some of the best album artwork I have come across for a while. Not only is it a stunning piece of work in its’ own right (care of Pierre-Alain D), but it fits perfectly with the lyrical theme, which is inspired by the ancient pre- Christian cults of the southern hemisphere of the Earth: Mesopotamia, Egypt, Africa, India, South America. The dark brooding colour scheme also gives an idea of what is on offer here. The fourth full-length album from this Italian band can best be described as a mix of heavy, doom, death, black, gothic and, occasionally, folk elements with a very personal ‘mediterranean’ and ‘theatrical’ touch. Mancan’s vocals contain a strength and passion that is often missing from some bands, and the ability to sing in both ‘clear’ and ‘growl’ is a definite benefit as it adds an additional touch to a band that is definitely channelling the spirit of Paradise Lost, but in a way that definitely is way more Mediterranean than British.

Mancan also invited Sakis from Rotting Christ to sing on “Voodoo (Daughter Of Idols)”, the longest song on the album at more than 7 minutes, and this adds an additional element to the band. The album itself both starts and ends with an instrumental, so it feels bookended, but I think that aspect works. But, I am not sure about the whole album itself as it feels as if something is missing, although I can’t quite put my finger on what it is. There are times when the band come across as an all-conquering force of nature whereas on others they feel far more shallow and lightweight. It is quite possible that this album needs far more plays than I have the opportunity to give it, but at worst it is an interesting diversion that warrants further investigation, and at best maybe it is better than I think it is. www.code66.net
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