NEUROSIS — Times Of Grace (review)

Album · 1999 · Atmospheric Sludge Metal

2.5/5 · 2024-09-01
SilentScream213

This is going to come off as harsh and opinionated, but the fact of the matter is, bagpipes are one of the ugliest instruments out there. They are piercing and shrill, they have almost no vibrato resulting in a stagnant, unrelenting cry, and they’re prone to staggering off key in between notes. It’s very difficult to properly fit them into a song, and are usually only used in contemporary music as a quick way to make something sound “Scottish” or folky.

I think it’s only fitting, then, that Neurosis of all bands would be the ones to utilize this instrument to its full potential. Neurosis are no strangers to making ugly music, as it’s pretty much their MO. Still, I was blown away by the utilization of bagpipes in “The Last You’ll Know.” The instrument provides the lead melody in what could only be called the apex of the song, or album even. The bagpipes play shrill, sustained notes over doomy guitar, and with pristine efficiency, convey this sombre, painful emotion that evokes a person at their limit, threatening to break. The ugly, static, unrelenting, barely-staying-on-note shrieks of the bagpipes are absolutely perfect for evoking this. It works wonders with the sludgy yet fragile atmosphere the band builds here, it doesn’t sound gimmicky or Scottish, it just perfectly encapsulates a harrowing yet still passionate cry of human emotion. It is, quite plainly, one of the greatest moments in music I have heard.

…What about the rest of the album? Right… it’s good. Not all that memorable. The majority of this album is Neurosis plodding along with chords that don’t evoke much and adding some effects and atmospherics that only provide surface level complexity to the album. Most of it is not very successful in building any mood outside of the generic trademark Sludge “miserable.” There are a few moments such as above where the band really captures something special, but most of them are hidden between long stretches of nothing.

Oh yeah, and then there’s the album Grace. Most should know the lore; Grace is a Dark Ambient album made by Neurosis side project Tribes of Neurot as a companion album meant to be listened to simultaneously with this album. On its own, well, it’s just a pretty minimalistic Dark Ambient album with samples, droning, and Noise. Doesn’t make for great individual listening.

But, how do they stack up as a duo? Grace adds some pleasant layering, density, and connectivity to the album. It truly makes it feel like one continuous experience, and it does feel like it’s how the album was meant to be listened to. And good god, remember that aforementioned moment with the bagpipe leads on “The Last You’ll Know”? Ambient pads backing that moment in perfect harmony just elevate it into an even more unbearably bittersweet moment of pure miserable catharsis. Unbelievable…

But does it do enough to elevate the whole album to its commonly held masterpiece status? To me, no. It definitely improves the album, but using numeric terms, probably by about a quarter star, 10 percent, etc. Grace is too minimalistic and lacks any standout moments of its own to do much more than just slightly improve the album. Given the choice, I would always listen to them as a set, it's definitely the superior experience, but it’s not as “transcendental” as some would have you believe. Mostly just a small bonus. I applaud the creativity, but at the same time, could have just released it as one album…

Either way, I’m not rating the duo here, because that’s not what this is. And after having listened to the two together, it does highlight a bit the “empty” parts of this album, where there’s really not much going on. Without a denser, more evocative atmosphere, the weak riffs and simple rhythm section isn’t doing enough to really carry this.

And so, I’ll stand by what I said before. It’s an album with some incredible moments, but they do get a bit lost in a fire of “just good” Atmosludge. Not the magnum opus of the genre it is often hailed as.