DARKTHRONE — Under A Funeral Moon

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DARKTHRONE - Under A Funeral Moon cover
3.75 | 34 ratings | 2 reviews
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Album · 1993

Filed under Black Metal
By DARKTHRONE

Tracklist


1. Natassja in Eternal Sleep (03:35)
2. Summer of the Diabolical Holocaust (05:20)
3. The Dance of Eternal Shadows (03:45)
4. Unholy Black Metal (03:32)
5. To Walk the Infernal Fields (07:52)
6. Under a Funeral Moon (05:08)
7. Inn i de dype skogers favn (05:27)
8. Crossing the Triangle of Flames (06:12)

Total Time 40:55


2003 / 2014 enhanced content:

- Darkthrone: the Interview - Chapter 3 (Video) (10:00).


2013 2CD - CD2:

1. Commentary disc with Fenriz (40:44)

Total Time 40:44


Deluxe edition:

9. Natassja in Eternal Sleep (with commentary) (03:31)
10. Summer of the Diabolical Holocaust (with commentary) (05:23)
11. The Dance of Eternal Shadows (with commentary) (03:40)
12. Unholy Black Metal (with commentary) (03:30)
13. To Walk the Infernal Fields (with commentary) (07:52)
14. Under a Funeral Moon (with commentary) (05:06)
15. Inn i de dype skogens fabn (with commentary) (05:23)
16. Crossing the Triangle of Flames (with commentary) (06:14)

Total Time 81:20

Line-up/Musicians


- Nocturno Culto / vocals, bass
- Zephyrous / guitars
- Fenriz / drums

About this release

CD and 12" 33⅓ RPM vinyl LP released 15th February 1993. CD reissued August 1995 and 19th February 2001. Vinyl reissued 24th June 2002.

Cassette released 1993 on Loud Out Records (l.o.r. 029-93).

Cassette released 1996 on Hammer Müzik (HMR054).

Cassette released 24th June 1996 on Metal Mind Productions (MASS 0286).

CD released 2002 in Russia on Союз (CDVILEM 35 / 620352).

Enhanced CD remaster released 19th May 2003 on Peaceville Records (CDVILED 35). Released in Europe on 26th May 2003. Reissued 2007.

12" 33⅓ RPM picture disc vinyl LP released 2005 on Back On Black (BOBV024PD), limited to 2000 copies.

12" 33⅓ RPM gatefold vinyl LP released 22nd May 2010 on Peaceville Records (VILELP35), limited to 2000 copies.

12" 33⅓ RPM vinyl LP released 2013 on Peaceville Records (VILELP35), limited to 2000 copies.

Enhanced 2CD remaster released 26th August 2013 on Peaceville Records (CDVILED435X).

Enhanced CD released 2014 on Icarus Music (ICARUS 1319).

12" 33⅓ RPM picture disc vinyl LP released 30th June 2017 on Peaceville Records (VILELP681).

CD released 2020 on Hellion Records (HEL 1412).

Digital deluxe edition released 13th October 2020 on Peaceville Records.

12" 33⅓ RPM silver vinyl LP released 2021 on Peaceville Records (VILELP35).copies.

Recorded in Creative Studios, June 1992 (Year XXVII AS).
Produced by Darkthrone. Engineered by Vidar.
Digitally remastered at Transfermation, 2003.

Thanks to the t 666, Bosh66 for the updates

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DARKTHRONE UNDER A FUNERAL MOON reviews

Specialists/collaborators reviews

Warthur
Darkthrone have described the album previous to this, A Blaze In the Northern Sky, as having a black metal attitude and death metal riffs. Perhaps that's why Under a Funeral Moon feels like such a transitional album, since it was recorded as a conscious attempt to change gears into a more purely black metal approach - complete with stripped-down production values for extra kvltness. The end results are rather mixed, but eventually won me over simply because of the unusual take on the subject matter.

Lyrically, alongside the Satanic aggression that's par for the course in black metal there's also healthy doses of depression, alcoholism, and a curious sort of eroticism - all three of which playing a prominent role in the opening track, Natassja In Eternal Sleep - and these curious themes creep their way into the music, with the lo-fi production often resulting in a subdued guitar sound which is in keeping with the depressive, contemplative ideas being played with. Still, Under a Funeral Moon suffers from being kind of on the fence - A Blaze In the Northern Sky was well-produced and showed technical proficiency, Transilvanian Hunger is one of the most "kvlt" black metal albums ever and has the production values of a train accident, whilst Under a Funeral moon sits between the two extremes, neither one nor the other. One for the devotees.
UMUR
"Under a Funeral Moon" is the 3rd full-length studio album by Norwegian black metal act Darkthrone. The album was released through Peaceville Records in February 1993. It´s the succcessor to "A Blaze in the Northern Sky" from February 1992 and features one lineup change as lead vocalist/guitarist Nocturno Culto also handles the bass on "Under a Funeral Moon". Bassist Dag Nilsen was already out of the band when they recorded "A Blaze in the Northern Sky", but did record the bass parts for that album. "Under a Funeral Moon" would be the last Darkthrone album to feature guitarist Zephyrous. On all subsequent releases the band would be a duo consisting of Nocturno Culto on vocals, bass and guitar and Fenriz on drums (and occasionally vocals, guitars, and bass).

The music style on the album is raw and simple old school black metal. The production is lo-fi, distorted, and thin, the vocals are raspy snarling and the playing is organic. It´s a continuation of the style initiated on "A Blaze in the Northern Sky", but Darkthrone have now completely shed the last ties to their death metal debut album "Soulside Journey" (January 1991, Peaceville Records). So this is 100% raw, cold, and old school black metal developed from the sound of Bathory, Hellhammer, and of course Darkthrone´s countrymen in Mayhem.

"Under a Funeral Moon" is arguably an extremely influential second wave black metal release, and thousands of black metal acts have since been inspired by the lo-fi sound production, the relentless rawness and cold distortion, but also the relatively simple songwriting and organic delivery. It´s a completely different aestethic to the sharp precision playing and clear and detailed sounding productions of some of the more melodic and symphonic inclined black metal acts from the same era (an in direct opposition to the increasinly technical playing of contemporary death metal acts).

I´m not sure my ears hear great musical art here, but I understand that those who seek the most grim, raw, and lo-fi sounding savagery find this a great release. So take my rating with a grain of salt. A 3 star (60%) rating is warranted and I even do feel I´m stretching a bit here.

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