Kev Rowland There is no doubt in anyone’s mind that Darkthrone are one of the most important bands to ever come out of the black metal scene, and their early albums are triumphs from beginning to end. Fenriz and Nocturno Culto have followed their own path for many years now, forsaking the need to play live or use external musicians and instead wrap themselves into their own world. This is their twentieth studio album, and their seventeenth in the thirty years since the departure of Zephyrous left them as a duo. It is also their fourth in just five years, and while they were renowned in their early years of being able to have a very high output with no loss of quality, one wonders if the same can now be said all these years later.

This is not a bad album, far from it, but it is also not a great album either and one cannot help but wonder if the kudos being heaped upon it is due more to the name on the front cover than the music contained within. To my ears the sound is just too clean, and while there are black metal influences here and there, we also get plenty of doom and also some power metal, all of which comes across as somewhat boring and tedious. There is an impression at times (take “Black Dawn Affiliation” for example) where it feels the band are marking time while trying to work out what to do next. The use of clean vocals care of Fenriz also just do not tie in well with what Nocturno is providing, and I found myself getting quite confused as to what the Norwegians are trying to achieve. True, they have brought in many differing metal styles over the years, but this album feels almost as if ideas are being thrown onto a wall to see what sticks best. The result is something which is enjoyable while it is being played but there is little here to make me want to play it again.

UMUR "A Blaze in the Northern Sky" is the 2nd full-length studio album by Norwegian black metal act Darkthrone. The album was released through Peaceville Records in February 1992. It´s the successor to "Soulside Journey" from 1991, but the instrumental part of the material for a full sophomore album was actually recorded in rehearsal in late 1990/early 1991, but shelved because the band felt a need for a drastic change in musical direction (the rehearsal was later released as the "Goatlord (1996)" album with added vocals).

"Soulside Journey (1991)" featured an occult themed technically well played old school Scandinavian death metal sound and was recorded at Sunlight Studios with producer Tomas Skogsberg, so while it´s not a Swedish death metal album, it has a lot of similar features to some of the prolific contemporary Swedish albums in the genre like "Left Hand Path (1990)" by Entombed, "Dark Recollections (1990)" by Carnage, and "Like an Ever Flowing Stream (1991)" by Dismember.

Stylistically the material on "A Blaze in the Northern Sky" very much feels like a determined and very deliberate attempt at writing and releasing something completely different and a way of distancing themselves from the contemporary Scandinavian death metal scene. "A Blaze in the Northern Sky" features a simple, raw, and lo-fi (compared to the sound production on the predecessor) produced black metal style (it´s artists like Hellhammer/Celtic Frost and Bathory who Darkthrone sound influenced by), which sounds like it´s a completely different band playing to the Darkthrone who released "Soulside Journey (1991)". The truth is it´s not, as the lineup who recorded the predecessor is intact, although bassist Dag Nilsen was on his way out (he is only credited as a session musician on the album).

I don´t know if it´s the change in musical direction or the fact that the bass is not audible in the thin high end sound production, which resulted in Nilsen leaving, but the changes in musical style and production values sure are drastic. It came as a complete shock to many fans of the debut album, but provided Darkthrone new fans, who found the new black metal direction interesting.

"A Blaze in the Northern Sky" features 6 tracks and a full playing time of 42:03 minutes, so most of the tracks are relatively long (with opening track "Kathaarian Life Code" clocking in at 10:39 minutes being the longest). Although some parts are repeated the tracks don´t follow a "regular" vers/chorus formula, and they are generally unconventionally structured. That´s one of the exciting features of the album (although a hook here and there could have made the album a bit more accessible), and the organic performances is another, but unfortunately the sound production is a bit of a mess.

I know that old school black metal releases are suppossed to sound thin (the bass not audible), raw to the bone, and almost demo like in nature, but to my ears that concept is taken a bit too far on "A Blaze in the Northern Sky". It´s just not a very well sounding release and it makes it hard to enjoy the music, which is generally not great, but not of a bad quality either. In my world that sums up to about a 3 star (60%) rating and I even feel like I´m stretching a bit here. I hate to rate what others consider a "classic" release so low, but personally there´s very little I perceive as quality features on the album. The songwriting is so and so (although I enjoy the anarchistic approach to structure) and the sound production is below normal standards for a studio release. Peaceville Records was also initially reluctant to release the album, as the label expected something a bit more like "Soulside Journey (1991)", but I guess time has proven both them and me wrong.

SilentScream213 Though a legendary album now, Darkthrone’s A Blaze in the Northern Sky would have been a total shock to anyone previously following the band. Their debut was straight Death Metal, and though it did have a focus on melodies and cold atmospheres, other than that it had very little in common with this creature. I can only guess they started listening to Bathory and decided to go that route, cause I hear Bathory influence all over this. The biggest difference is instead of epic Vikings, the theme is Pagan winters.

A Blaze in the Northern Sky is just 6 long tracks filled with very competent Black Metal, consistent in quality from start to finish, and without many surprises. This is probably considered a landmark release in 2nd wave Black Metal due to its melodic tendencies and lyrical themes that steer away from Satanism. Interestingly, the production sounds a bit worse than their first album, maybe done intentionally to capture that authentic Black Metal sound. My favorite aspect here is the drumming, which is incredibly varied and has much more precision than most Black Metal at the time. The drummer knows when to drop into Doom territory and when to go all out, and does it all very well.

For me, I’ll say that while it is a great album, it didn’t live up to its hype. There’s nothing incredibly unique about it, and to me it’s just a Black Metal version of their debut – strong and competently played, but ultimately unmemorable. Definitely a great listen for that nocturnal winter feel though.

Warthur Perhaps Arctic Thunder was just something Darkthrone had to get out of their system - a necessary creative purging before moving on to this. Old Star sounds much more like the followup to The Underground Resistance that a lot of us were expecting than Arctic Thunder does. Whereas the latter album felt more like "blackened heavy metal" than a full-on black metal release, this time around Darkthrone deliver up black metal with a strong influence from the genre's roots in thrash (via Bathory or Venom) and traditional heavy metal (via Mercyful Fate), with more of an emphasis on the thrash this time than on Arctic Thunder. I wouldn't put it above The Underground Resistance, which I consider to be the pinnacle of Darkthrone's current sound, but it's pretty damn good in its own right.

Warthur The Underground Resistance saw Darkthrone adopt a sort of "blackened heavy metal" approach, combining their usual grim darkness with juicy riffs reminiscent of the more hard-edged 1980s traditional heavy metal bands. It was pretty good too - a sort of return to the first wave of black metal's approach, with the lessons learned from subsequent decade to hand to add spice.

Arctic Thunder, however, doesn't succeed quite so well. The heavy metal dial is turned up even further, the black metal is dialled back a bit but for the vocals, and perhaps worst of all, whilst the music is entertaining enough, it's not more than that. The overall experience is a bit like sitting in on a practice session of your buddy's band who play in his garage and drink beer and tend to drink a bit more beer than they play actual music and are cool with that, but do a decent job of turning out the material and might have done something more interesting with their talents had they applied themselves.

It's not a bad album, mind - it's fun when you're in the right mood for it - but we know that Darkthrone can do better, even in this general style. Three and a half stars, on the verge of losing that half star at that.