With that creative vector that Anathema has formed, it was hard to guess which way the band would move on the next release. And so it turned out that the Liverpudlians decided to try to experiment not only with the sound, but also with the format of the material, because they planned to make a concept album, the first in their career. The essence of the concept is the progressive movement of the lyrical hero down the spiral (almost like in Trent Reznor's 1994 masterpiece The Downward Spiral) straight to suicide. Sounds intriguing, doesn't it?
However, do not rely on chewing the meaning and plot from the mouth of Vinnie or anyone else from the group - the canvas of Anathema is cut into unequal pieces, which, with all the desire and perseverance of the listener, will not reveal the true storyline. And band members themselves, it seems, did not fully understand exactly how and in what order to listen to the compositions they wrote; in the 2015 remaster, the intro of A Fine Day, which was thrown out of the original release, is added, which resembles Panic in its nervousness and despair, and the original songs are mixed in a radically different order (for example, the same Panic and the Pressure opening the album are located in the middle of the album). However, I personally prefer to listen to the album in the original order.
And how are things going, actually, with the music? It was just a wonderful alt-prog-rock record. As you know, all the best of 2000' alternative starts with one name – Radiohead. This infection, which I do not like with every fiber of my soul, has turned heads of our Liverpool heroes. Another thing is that I really like the ideas of Radiohead, but the way they implement these ideas, I'm sorry, I can't stand it, and I'd rather listen to the Radiohead-esque album from my favorite Anathema, who made these ideas in the best possible way. By the way, even now this album is often underestimated and not remembered at the mention of the name of Anathema, and I can not even find any explanation for this phenomenon. Although, probably, the matter is in several existing factors, the main of which is that 2 years before A Fine Day to Exit, Judgement was released. The uneasy fate of the successor to the great album also befell A Fine Day to Exit. Moreover, the focus on alt-rock confused even many fans of the band's last 2 albums. And very wrongly, because this album, despite the concept that runs through all the songs as a leitmotif, is full of treasure. These are the first 2 songs, slow Pressure with a haunting chorus and Release with a slight touch of electronica, and wonderful alt-rock Leave No Trace, written by Vinnie, and psychedelic-evil Underworld and Panic, and tragic Barriers (again a duet of Danny Cavanagh and Lee Douglas) and the title song. Anathema also did not forget about the concept itself, and their lyrical hero ends... (?) And then the Liverpudlians cut the story short, leaving it up to us to interpret the end of the album, whether the hero really killed himself in the cold ocean or decided to wait. The answer to this question will be given 16 years later, but this is already another story.
In the end, we have a unique work in the Anathema discography, which is underrated by the fans, but no less beautiful in its melancholy and depressive nature, and I think the band has finally reached maturity on this album. And although between Judgment and A Fine Day to Exit, I would still prefer the former for, let's say, greater ambition and elegance, the feeling that this work did not come from here, A Fine Day to Exit is valuable precisely for the band's attempt to do something extremely separate from the rest of the work and at the same time deeply beautiful.
